Merry Christmas! This Christmas Day, Daniel and Jack chat about Charles Murray, co-author of the infamous pseudo-scientific racist hoax The Bell Curve.
Shaun, "The Bell Curve." https://www.youtube.com/watch?v=UBc7qBS1Ujo
ForeverJameses, "Reading the Right - Volume One: The Bell Curve": https://www.youtube.com/watch?v=GgZFGgJlAsk
The Bell Curve PDF: https://lesacreduprintemps19.files.wordpress.com/2012/11/the-bell-curve.pdf
P 37-38 "The Creation of a Cognitive Elite Within The College System."
John Ogbu p. 307
Ogbu and Simons, "Voluntary and Involuntary Minorities: A Cultural-Ecological Theory of School Performance With Some Implications for Eductation." https://faculty.washington.edu/rsoder/EDUC305/OgbuSimonsvoluntaryinvoluntary.pdf
"From his comparative research Ogbu has concluded that (1) no minority group does better in school because it is genetically superior than others; (2) no minority culture is better at educating its children; and (3) no minority language is better suited for learning in school (Simons et al. n.d.). He has argued that from a comparative perspective, one cannot attribute the differences in minority school performance to cultural, linguistic, or genetic differences. This is not to deny genetic differences or to deny that cultural and language differences may have ...
Couple of business updates for everyone.
First of all, TARDIS Eruditorum v5 is back in print just in time for the holidays. The Kindle and print editions are still stubbornly not connecting with one another, so here they are:
At this point, volumes 1-5 of TARDIS Eruditorum, Last War in Albion 1, and Neoreaction a Basilisk are all back in print. I expect I'll get v6 early next year, and v7 out in general... ooh, I had been saying January/February, but let's call it March/April just cause November was kind of a train wreck for productivity. I have like three more essays to write, but they all involve a lot of television watching that I just haven't found time for.
Speaking of Neoreaction a Basilisk, I've cut the UK Kindle price to the bare minimum for a bit in case anyone needs some cathartically funny reading about how we're all fucked.
Finally, I wanted to highlight that Dalek Eruditorum is still only at the baseline 13 post version, with the Patreon stalled at $667. So it needs $33 to get the second swath of stories, and $83 to get the ...
In September of 1990, Amos submitted an initial version of the album that would eventually be called Little Earthquakes. The track list was in several regards perverse, even given that Amos only had the Siegerson sessions to go on—most puzzlingly, “Mary,” and “Sweet Dreams,” both made it on while “Silent All These Years” and “Upside Down” both missed out. Atlantic rejected this version of the album, however, and so Amos went back to work.
With next to no budget left for improving the album, Amos found herself working at a home studio with her then-boyfriend Eric Rosse. They brought in a handful of session musicians including Steve Caton, Amos’s guitarist from Y Kant Tori Read, and Amos set out to write a new batch of songs. The songs from these sessions ...
In this episode, Daniel tells Jack about a lesser known but crucial figure in the rise of the 'White Genocide' conspiracy theory on today's far-right, Robert Whitaker.
Content Warnings for episode and links below.
Robert Whitaker's Mantra: http://www.robertwwhitaker.com/mantra/
"ASIA FOR THE ASIANS, AFRICA FOR THE AFRICANS, WHITE COUNTRIES FOR EVERYBODY!
Everybody says there is this RACE problem. Everybody says this RACE problem will be solved when the third world pours into EVERY white country and ONLY into white countries.
The Netherlands and Belgium are just as crowded as Japan or Taiwan, but nobody says Japan or Taiwan will solve this RACE problem by bringing in millions of third worlders and quote assimilating unquote with them.
Everybody says the final solution to this RACE problem is for EVERY white country and ONLY white countries to “assimilate,” i.e., intermarry, with all those non-whites.
What if I said there was this RACE problem and this RACE problem would be solved only if hundreds of millions of non-blacks were brought into EVERY black country and ONLY into black countries?
How long would it take anyone to realize I’m not talking about a ...
Some time early in Amos’s time in LA, while she was still playing the airport Holiday Inn to pay her rent, a friend of hers helped her move, and asked her kinda sorta boyfriend Rantz Hoseley to help. Hoseley was attending art school in the city, and the two hit it off immediately (Hoseley cameos in the video for “The Big Picture”). A few years later, in the wake of Y Kant Tori Read, Amos called her friend to chat. Hoseley, an artist who wanted to make it in the comics industry, had recently left Los Angeles after a number of setbacks that included being told by Marvel editor Tom DeFalco that he should give up and become a plumber and what he describes s “some very scary near-fatal experiences,” and was living with his parents in Washington, but the two remained close. Amos was starting to bounce back from her own setback and in the early stages of Little Earthquakes, and asked her friend how he’d describe himself. Hoseley’s response, delivered from the depths of his depressive spiral, was to say, “Tori, I’m the ...
A fitting entry for a day I'm snowed in with a foot of snow. Anyway, quick update about where we stand on Doctor Who Series 12 reviews, as it's just under a month until it debuts. The answer is that we are very, very far from them—the Patreon is at its start of month lull due to declined pledges, but as it stands we're over $100 from the $800 tier where I'll do Series 12 reviews. If you'd like me to howl into the void about Chibnall Who, you'll want to go to Patreon and fix that. And in the process you'll unlock 26 more Dalek Eruditorum entries.
Fathers are, of course, a standard of women’s art, whether about an invented relationship (“Papa Don’t Preach”) or an authentic one (“Daddy Lessons’). And traditionally there is a fraught tone to these. The character changes—the father can be treacherous, unreliable, abusive, authoritarian, or any ...
A slender, even whimsical doodle of a song, “Happy Phantom” sees Amos larking about on the occasion of her death, or more accurately its immediate aftermath. This, as Amos explains it, came from the collaborative interplay of the rest of her faery circle, which collectively “decided we needed to hang out with death for a while.” Speaking nearly twenty years later, Amos rationalized this as a need for a measure of ego death: “the image that I had created for whatever reason, had to die. If so, she balked big time in crafting the song. By and large, however, other options present themselves.
The song is simple enough—the second shortest on the album, coming in an entire second longer than “Leather,” it uses each of its verses deliberately, establishing a concept, adding depth to it, and finally subverting it. It opens with a jaunty and bluesy piano line which Amos plays with a loud and slightly out of control sounding abandon. The vocals, meanwhile ...
By some margin the best of the Little Earthquakes b-sides, to the point that Amos in 1994 described its omission from Little Earthquakes as her “only regret.” (She would eventually say something similar about “Honey” missing the cut for Under the Pink and “Cooling” not making it onto Boys for Pele.) And Amos is right—without being so crass as to name names, “Upside Down” is straightforwardly better than at least two songs on Little Earthquakes, and is heads above the next best b-side. This is, presumably, why it found an almost immediate release, coming out as track two of the “Me and a Gun” single in the UK, and showing up on both the “Winter” and “Precious Things” singles in the US—a clear and easily justified decision to make it the primary b-side of the album.
Much of Little Earthquakes is built in the balance between Amos’s more gnomic tendencies and a confessional approach that relies on a ...