Like any emerging ideology, the alt-right didn’t just materialize out of nowhere. There were forerunners crying in the wilderness who were generally viewed as harmless kooks. “The paleo-libertarian seed that Ron Paul, Murray Rothbard, and Lew Rockwell planted in the 1990s has come to bear some really ugly fruit in the last couple of years as elements of the alt-right have made appearances in various libertarian organizations and venues,” writes Steve Horwitz, an economist who writes at Bleeding Heart Libertarians.
The Ron Paul Revolution might not have amounted to much electorally, but it would be wrong to underestimate the impact he has had on libertarianism and the alt-right. “In a way, Ron Paul is the guy who lit the fuse,” Nick Gillespie says. “And he embodies some of those contradictions [between libertarianism and the alt-right].” Gillespie tells me that Richard Spencer came up to him at the Republican National Convention in 2016 and said that he was activated into politics because of Paul. Gillespie sees Paul’s legacy as very mixed, as someone who was “simultaneously… positing this very libertarian worldview, but then he’s also speaking to people’s fears and anxieties.” If one were looking for the ...
After a rather frustrating day grappling with Amazon, we are pleased to properly announce the revised edition of Neoreaction a Basilisk is now available for sale. This link will go to the current paperback edition, but the Kindle edition is live as well. (Right now there are two Kindle editions, but they are in fact identical despite one still having the old cover. I'll get this tidied up soon.) Here's a UK link. And if you want it in epub, here it is on Smashwords. This new edition features a few minor revisions and corrections throughout along with an appendix containing "Guded by the Beauty of Their Weapons," a precursor essay to the ones in the book about the alt-right and science fiction.
Currently if you have any digital editions, they should be upgradeable for free. I can't 100% guarantee that will remain the case, so you may want to make the upgrade fast.
Thanks as always to James for the delightful cover update. (Future covers will not play with defacement like this, but it was obviously how to do this one.)
I'll be temporarily pulling all other Eruditorum Press books from sale on Monday. Guided by ...
Get it oooooon. Bang a gooooong. Get it on.
It’s August 23rd, 2014. Nico and Vinz are at number one with “Am I Wrong,” with Ariana Grande and Iggy Azalea, Cheryl Cole and Tinie Tempah, and Charli XCX and herself also charting. Ed Sheeran tops the album charts. In news, since Time of the Doctor took its bow there’s been an Ebola epidemic, Russia annexed the Crimean Peninsula, there was a military coup in Thailand, and Michael Brown was murdered by police in Ferguson, Missouri, kicking off the Black Lives Matter movement. We’re also in the last month of the campaign for the Scottish independence referendum, which isn’t technically the sort of thing that goes in these sections since it’s just sort of an ongoing thing, but clearly I’m out of practice and anyway it’s kind of relevant.
While on television, Peter Capaldi makes his long-awaited third appearance as the Doctor, just over a year after his announcement. This was not, it should be stressed, an unusually long gap between announcement and first episode. Indeed, the gap was shorter than Smith’s, and looks set to be shorter than Whittaker’s as well. But there was a clear, if slightly ineffable ...
"Pond. Rory Pond."
Commentary time again. Here's Elizabeth and myself watching and talking about (and talking around... and often failing to talk about) the Series 5 finale 'The Big Bang'.
Also, we're re-upping the old commentaries at the Pex Lives Libsyn, as per requests. One per month, starting this month with the commentary we recorded for the Hartnell classic two-parter 'The Rescue', which saw the introduction of Vicki.
By rights, Moffat should have left. Sure, he’d done a season less than Davies, but it was clearly time. Each of his three seasons had been a step down from the one before, with Series Seven being an openly miserable experience. The Day of the Doctor and Matt Smith’s departure provided an occasion where he could leave on a high. His style had become exceedingly recognizable and recognized, which is the phase right before utter stagnation. It was time to go, and if he didn’t he risked—indeed, given the tenacity of his critics, essentially ensured—that there would be accusations that he stayed too long. But, of course, he didn’t. He retrenched, got a new star and executive producer, and went back to try again. This is the story of how that went, and of what may be Doctor Who’s most unexpected golden age.
But to understand that unexpectedness we must first understand the landscape that Doctor Who was returning into. Because the problem wasn’t just that Moffat’s tenure looked long in the tooth on its own merits. It was that outside Doctor Who’s window, the world was catching up. In one sense this was not a surprise. Doctor Who was ...
We do psychochronography here, and so recognize that any significant piece of information has a vast root structure of paths leading up to it and an equally vast structure of implications and consequences, both of which exist in stubborn defiance of any attempt to simply present it. When this information doubles as an event such that the moment of its revelation splits time into discrete “before” and “after” periods, the complexity of these structures only becomes more important. Stripping all of this away to formulate an Announcement, then, is a desperately theatrical and artificial act.
Nevertheless, I’ll frame this simply in terms of site business: the content previously published under the name Philip Sandifer will, going forward, be published under the name Elizabeth Sandifer.
There. Now we exist in a world of implications, which open up and branch outwards instead of leading portentiously towards the singular. For the sake of clarity, first a restatement: I am a transgender woman using female (she/her) pronouns. Now for things that follow from this.
In terms of this site going forward, basically nothing will change. I’ll still be starting TARDIS Erudtorum on Monday, I’m still publishing Volume 7 this year, I’m still getting ...
Hello everyone. This week it's audio time. Again.
Firstly, here's a commentary I recorded with our esteemed site editor on 'The Pandorica Opens'. Yes, we finally did it.
We had a lot of fun recording this, and I'm sure you'll enjoy listening to it.
If things go according to plan, our commentary on 'The Big Bang' will be dropping next week. In true Moffatian tradition, our resolution to our own cliffhanger will entail a narrative substitution.
Then I'll be back to my ruminations on Ron Paul, the Austrian School, Murray Rothbard, libertarianism, and the alt-Right. People who give me as little as a dollar a month on Patreon can get instant and exclusive advance access to the next five posts in this series. Also, I will be finishing my trilogy of posts about 'Last Jedi' at some point - promise. My Patreon sponsors will probably get advance access to that as well.
In other audio news, Wrong With Authority has produced two new podcast episodes I haven't yet told you about here.
There was this commentary that Kit, Daniel, and I recorded on original Ghostbusters (a real giggle, this one ...
It’s January 12th, 2014. Pharrell Williams is happily at number one, with Beyonce, Eminem, Ellie Goulding, and Pitbull also charting. In news, a cold snap in the US has all fifty states with at least somewhere below freezing, and a chemical leak in West Virginia leaves 300,000 without clean water. In the UK, the death of Mark Duggan, which kicked off riots in the summer of 2011, is ruled to have been lawful, while Keith Wallis pleads guilty for falsely claiming to have heard Andrew Mitchell call some police officers “plebs.”
On television, meanwhile, the shooting star that is Sherlock Series Three finishes its arc across the firmament with the Moffat script. His Last Vow is an odd thing. There are days on which I think it might be Moffat’s greatest ever script. But I mean “great” in its most complexly troubled sense. Moffat has been open about the fact that Series Seven of Doctor Who and The Day of the Doctor were miserable experiences. If the latter was him hauling himself back into fighting shape, then, this is the script with which he means to take back the mantle of being one of the most essential ...