Hi there. I'm an explorer, rogue academic, natural historian, athlete, anarcha-feminist and mystic. So naturally this means I write about video games, Star Trek, the 1980s, Alice in Wonderland and Garfield. My column is Wednesday morning, Eastern time.

My biggest project to date, and probably the one you're looking for, is Vaka Rangi: A self-described work of comparative mythology examining the motif of the voyaging starship (namely Star Trek) through the lens of post-scarcity utopianism, myth cycles and anarcha-feminism. I'm also working on a deconstructive heretical exegesis of The Legend of Zelda series called Hyrule Haeresis, and a semiregular critical exploration of the comic strip work of Jim Davis called Permanent Saturday. I sometimes write about other things too.

Hyrule Haeresis 10

In mythic times, when magick coursed free and unbound through the veins of the land, our ancestors walked as goddesses and gods across the becoming-moment. The myth-landcape was formed from their migrations and universes were born from their footsteps. Forests and flower fields grew from among the life-streams and had voice and spirit, and the sea and the sky were together as one.

Such goes the Legend of the Golden Age, the departed plane of eternity when Light spoke with the ecstasy of shared emanation in the All Moment and when all Immortal Stories lived here on Earth. In the telling, the Past becomes a distant country from whence we are separated by Time and Tide. Your ancestors are There, because They cannot be Here. There is cast a great insurmountable chasm between Heaven and Earth, and only in Heaven do we allow ourselves to be happy with the fulfillment of our calling.

But this mythic landscape bears the laugh-lines and contours of a magickal birth. There are worlds around us for the initiate who has learned to See to behold and enjoy. In truth, the Golden Age never ended and the Immortals never departed. The Otherworld is always there ...

Frozen Sunshine

In just a few short weeks, every game I bought a Nintendo WiiU for will have been made available for the Nintendo Switch, and in each and every case the experience has proven to be a dramatic improvement. This occasion has given me a lot to reflect on and think about and there's a lot I could say about it, but there's a particular set of emotions I want to focus on today. I've always believed that different sensations can remind us of memories and feelings connected to where and when we were when we first experienced them, and that this can be just as true for our media as it is for anything else. This is why we have to be cautious listening to a certain song when we are feeling a particular way (especially if we're feeling sad) lest the two end up associated together in our minds forever. On the other hand, it's also been my experience that, with care, those feelings can grow and evolve with us as we revisit them over the course of our lives.

I got my WiiU at the end of 2014, two years after it had ...

Permanent Saturday: Cat's Cradle

There is possibly no relationship in Garfield that better exemplifies the classic “Love/Hate” dynamic than that between the titular cat and The Dog Next Door. Much as he does in his other work relationships in the strip, Garfield dutifully clocks in to go over to Jon's neighbour's yard and get violently and angrily barked at by their dog. Absurd, yes, but how many of us work eight (or twelve, or eighteen) hour days in a job where we're only disrespected and demeaned? Some people are particularly unlucky enough to have a boss who seems to do nothing but scream and verbally abuse them. Those sorts of people might as well be a dumb, vicious guard dog with an explosively hair trigger temper.

But Garfield does still have an amiable relationship with The Dog Next Door. His design shows him to be a friendly chap when he's not on the clock, and he and Garfield have shown on multiple occasions they can get along just fine if they want to. Indeed, I think they not-so-secretly enjoy the unique relationship they share: They will speak of love and hate as if they're interchangeable emotions (and in ...

To Switch a Witch

With the re-release of her first two games on the Nintendo Switch, a third on the way and her creator already musing ideas for a fourth, Bayonetta is in the news again. And, as is typically the case with Bayonetta, she's drawn quite a crowd and her fair share of controversy and anger. But of course, you can't be a powerful, confident and self-assured woman and not.

Bayonetta is the modern day evolution of the archetype pioneered by Lara Croft and Rayne, and is the most honed, polished and refined version of that concept. She is an overwhelming, overclocked, unstoppable, inescapable feminine force of nature, and that confuses and frightens lesser people. The protagonist of an eponymous series of action games created by Hideki Kamiya and his studio Platinum Games (formerly Capcom Clover Studios), known for Resident Evil, Viewtiful Joe, Devil May Cry and Okami, Bayonetta is a witch who carves out her own niche in the war between Heaven and Hell by laying waste to legions of angels and demons as a one-woman mercenary army. She is pure magick, and, like all witches, she is liminal figure who stands outside of social norms and conventions. She makes ...

Thoughts on Dynasty Warriors 9: The Blue Dragon

In order to understand what Dynasty Warriors is really trying to tell us, let's first get back to basics. Why is a video game series adapting the history of the Three Kingdoms, and Romance of the Three Kingdoms in particular, called musō (“unrivaled”) in the first place, and why would this be the game to pioneer “1 vs. 1000” combat mechanic it is so (in)famous for?
 
The mascot character for Dynasty Warriors has always been Zhao Yun, and I do not believe this is either accidental or arbitrary. Zhao Yun is known as one of the Five Tiger Generals, who were famed as the most loyal and revered generals of Shu. It is Shu's emperor, Liu Bei, who is generally considered to be the actual protagonist of Romance of the Three Kingdoms (if you had to pick one) at it's his exploits and deeds that are depicted in the most positive and sympathetic light. However while Liu Bei is certainly not a supporting character in Dynasty Warriors (especially if you choose to play as him), it's Zhao Yun who appears on the box art of all the mainline entries and who is oftentimes used ...

Thoughts on Dynasty Warriors 9: Flavours of Musō

Each numbered Dynasty Warriors installment comes in a set of three games. This is also true of Samurai Warriors, and the collaboration games (Gundam Musō, One Piece Pirate Warriors, Hyrule Warriors, etc.) will often have a variation of it. The three versions of Dynasty Warriors are as follows:

The Base Game (e.g. Shin Sangoku Musō 7/Dynasty Warriors 8)

These are the core numbered releases, and the ones that tend to see all the major changes. They will often appear at the start of a new hardware cycle to take advantage of graphical and processing enhancements made since the last main entry, will offer significant gameplay changes (while the base combat of course always remains comparable, things like modes, story progression, RPG elements and other features can and do change quite frequently and dramatically). This is when the vast majority of new characters will be introduced and existing characters will be completely redesigned from the ground up, oftentimes both aesthetically and mechanically. Some characters will lose former signature weapons and gain new ones (or in the case of Dynasty Warriors 9, get shifted into a different weapon class).
 
You might see new areas of China rendered and new ...

Thoughts on Dynasty Warriors 9: Records of War

The latest entry in my favourite video game series is out this week in Japan, Taiwan and South Korea and will release in the United States and Europe next week. And I won't be buying it, at least not yet. Allow me to elabourate.
 
Some might say my taste is suspect for picking Dynasty Warriors as my favourite video game series, but that would be saying nothing as my taste has *always* been suspect. Furthermore, I believe Dynasty Warriors, and the larger musō genre it gave birth to, is frequently misunderstood and sadly underrated outside its core fanbase (at least in the West). It is a deceptively accessible series with what I find to be a profound amount of hidden depth and meaning at both a mechanical and symbolic level. Furthermore, at the stage of life I am now at, Dynasty Warriors and its ilk are basically everything I'm looking for in a video game. Consider this series, written in honour of the release of Shin Sangoku Musō 8/Dynasty Warriors 9, an attempt at putting some of that right...And perhaps explaining myself.
 
While a major series in the East, Dynasty Warriors has an unpleasant ...

End of Year Update

No proper post today. I've had an incredibly trying few weeks, I'm feeling rather drained and uninspired and nothing really came up to come together. So instead I'm using my last column of 2017 to take stock of the past year for me at Eruditorum Press and begin to sketch out the year ahead.
 
I began with The Elder Scrolls and Nintendo and ended with The Elder Scrolls and Nintendo (well, technically I began with the Star Trek: The Next Generation comic “The Truth Elusive”, but the audience for 20 year old Star Trek tie-in comics can be charitably described as a niche demographic). Along the way, I moored the blog project I've been working on every week since 2013, Vaka Rangi, reached the climax of my unexpected series on The Legend of Zelda and went crazy with what once was a humble thought experiment to write about Garfield. I wrote about Shin Gojira a year late, creeped everyone out talking about Natasha Henstridge and Species, pissed everyone off talking about Sailor Moon and annoyed everyone defaulting onto my old game journalism habits between jobs. And my favourite band came back to see out the ...

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