Viewing posts tagged ideology
This is post is kindasorta both a Tricky Dicky and a Psychic Landscape entry. It doesn't quite fit into either series, but should - hopefully - be read in the context of them.
When Margaret Thatcher died in 2013, so many people downloaded the song ‘Ding Dong! The Witch is Dead’ from iTunes that the BBC were seemingly forced into the position of having to play it on Radio 1, in line with their usual practice of giving airtime to songs that are currently in the charts. (In the end they copped out and played a clip - of a song that’s under a minute long anyway - with an explanation. I didn’t hear it but I’d stake internal organs on it involving use of the word ‘divisive’.) This awkward situation for the BBC, very much not of their choosing, created what is called a ‘row’, or a ‘controversy’, or a ‘scandal’. This is when the right-wing media, rather than report the facts with headlines like ‘Thousands Celebrate Baroness Thatcher’s Death by Downloading…’, instead publish stories with headlines like ‘Outrage as BBC plans to Celebrate Baroness Thatcher’s Death by Playing…’. The ‘outrage’ the paper is supposedly reporting is always illustrated with ...
We are now in an odd, reversed position when it comes to William Shakespeare and Richard III: all of a sudden, and for the first time, we seem to know where Richard III's head is, but not where to find Shakespeare's.
I’ve written in previous instalments of this series about the relationship between Richard III (the man), Richard III (the play), William Shakespeare, and history.
Essentially, my argument is that William Shakespeare was, for various reasons to do with his class position, his family, his career, and the historical moment and social milieu in which he found himself, peculiarly well placed to dramatise social energies, feelings, anxieties, and vertigos, which still speak to us today. He was writing at the dawn of modernity, during the years immediately following the end of the medieval, in the immediate aftermath of the English Reformation… all of which is related to the fundamental fact that he was writing during the transition from feudalism as the dominant economic form of English society to capitalism. We still live with the energies and dystrophies of modernity, since we still live in capitalist society. Indeed, Shakespeare has in some ways only become ...
Jeremy Corbyn, leader of the British Labour Party, recently asked Seumas Milne to be his director of communications. Milne is one of the few journalists currently working in the British media who is genuinely worth reading. Milne, for instance, wrote The Enemy Within, which is not the novelisation of the 1996 TV movie (Gary Russell courageously tackled that one), but rather a rigorous investigative expose of the way the Tory government - with help from the ‘security services’ and the tabloid press - set about trying to covertly undermine, smear and frame the NUM and Arthur Scargill during the 1984-5 Miners’ Strike.
Certainly, when you recall that David 'Pigfucker' Cameron’s choice for an equivalent post was Andy Coulson, you see evidence of a stark division – authentically based on a decency and honesty gap – opening up between the parties for the first time in quite a while.
Milne, however, is one of those Left-wing journos who has been repeatedly (and rightly) criticised by Media Lens for being less than brave about criticising the paper he writes for, even as he savages bias elsewhere. So he will already have ability to ruthlessly criticise other people for doing stuff that his own employers do ...
NOTE: This article has been amended to correct factual mistakes and clarify arguments.
Iron Man (2008), starring Robert Downey Jnr. and directed by Jon Favreau, is objectively one of the most evil films ever made. Possibly the most evil, actually.
I’ll get around to justifying that opening statement in a bit. But first, I just want to say… ahem… fuck Tony Stark. Seriously, fuck him. The arrogant, smug, privileged, sexist, immature, selfish, capitalist prick. The rich, preening, self-satisfied asshole. The callous, self-involved, vainglorious, narcissistic wanker. This guy isn’t charming or funny or lovable. He’s scum, masquerading as humankind’s best friend. He’s the 1% as saviour of the world, at a time when the 1% are directly and knowing destroying the world. He’s the smiling face of the anthropocene (or rather capitalocene) extinction. He’s genocidal imperialism as (lone) humanitarian intervention. He’s neoliberal capitalism and neoconservative foreign policy as a series of bad-boy quips. He’s private capitalist industry as heroism. He’s mega-wealth as heroism. He’s white male privilege as heroism. He’s militarism, imperialism and American exceptionalism as heroism. He’s the War on Terror as heroism. He’s everything ...
|Here's Koba, riding straight at the enemy (who are armed with rocket launchers by this point) while simultaneously holding (and firing) two machine guns instead of the reins of his horse ...|