Viewing posts tagged characterisation
9 years ago
was not fundamentally about
characters or characterisation.
At its best, it used characterisation as a way of expressing its actual concerns, which were narrative or semiotic or conceptual or thematic or mythic or political or satirical... or any combination thereof.
We know everything we need to know about who Kalik, Orum and Pletrac are, how they think, etc. for the pastiche/satire/parable/joke to work.
It simply isn't interested in how Kalik feels about his mother.
It certainly isn't interested in how the Doctor feels. Or hardly ever. Even when the Doctor goes home for the first time, we don't see him soulfully staring at his childhood haunts or standing in the rain over the grave of his deserted Mum. Instead, he gets caught up in a satirical political thriller that turns into a surreal duel and then an apocalyptic techno-melodrama.
Of course, there's plenty of characterisation in 'The Deadly Assassin'. Even minor characters have ways of thinking and speaking. Hildred is a brutal bungler. Borusa is principled in some ways, cynical in others, and has a sneaking admiration for his wayward ex-pupil, etc.
Worldbuilding, in the service of conceptual or historical or ...