We're back to the cursed Louisiana Bayou over at my YouTube channel as the Bloodmoon series continues its look at BloodRayne's opening world. Check out Episode 1 if you missed it. If you're only familiar with the Uwe Boll movies, get a look at where Rayne got her start and see her in a whole new light!
Editied text from the video description:
Bloodmoon is a series that looks at the evolution and apotheosis of specific themes and archetypes throughout various video games via the medium of full playthroughs with open discussion prompts.
Questions and observations:
“City of the Dead” is a nickname given to New Orleans St. Louis Cemetery No. 1, the oldest cemetery in the city. Though spanning just one square block, thousands of people are buried here, hence its name. Notice how the “City of the Dead” in BloodRayne is flooded.
The Yonic imagery in the Maraisreq nest is obvious. Swamp monsters have been part of bayou folklore for generations, but seem to be a Western myth instead of a Native one (though there is a Swamp Woman figure roughly similar to the Irish banshee in Wabanaki folklore of the Northeast Atlantic coast). A ...
SU-ZUKANA: A palate cleanser, typically involving vinegar. A better title for last week, I suspect, but still fitting for this, which essentially starts off with all new concerns.
JACK CRAWFORD: How do you catch a fish who isn't hungry?
WILL GRAHAM: You have to change tactics. Use live bait that moves and excites them to action. Gotta make him bite even though he's not hungry.
JACK CRAWFORD: Make him act on instinct. He's always a predator.
WILL GRAHAM: You have to create a reality where only you and the fish exist, where your lure becomes what he wants most, despite everything he knows.
JACK CRAWFORD: Wrong move and he swims away.
WILL GRAHAM: I’m a good fisherman, Jack.
Will’s framework of fishing and hunting has had time to evolve in his solitude, so that fishing takes on aesthetic qualities. Of particular interest is the creation of realities, an explicitly narrativizing approach that reframes fishing as an act of artistic creation. Already the reality he needs is coming into being.
HANNIBAL: Truite saumonée au bleau with vegetables and broth, served with hollandaise sauce on the side. Beautiful fish, Will.
WILL GRAHAM: It was my turn to provide the ...
Let’s give the Proverbs a week off and talk about Secret Empire. For those who haven’t followed, this was Marvel’s annual shitty summer crossover, this time with the premise that history has been rewritten to make Captain America a Hydra sleeper agent who has now taken over the US. So basically, “what if Captain America were secretly a Nazi?” This has been widely panned, even moreso than Marvel’s summer crossovers usually are. On the one hand, this is entirely appropriate, as Secret Empire is not only one of the worst-written crossovers in superhero history but also one of the most flatly evil. On the other, relatively few people have actually articulated this, with an alarming number of critiques of the comic instead being exercises in point-missing far almost as epic than the crossover itself.
Perhaps the most spectacularly off-base thing to be frequently said about the comic is that its premise is an insult to the legacy of Captain America co-creator and avowed Nazi-puncher Jack Kirby. It is difficult to entirely grasp the value system under which making a fictional character he drew forty-three issues of into a fascist is an insult to his legacy but the basic existence ...
At long last, here is Drunken Whocast 3.
Myself, Daniel, James, and Kit, gathered on Skype to discuss Series 3 while getting progressively sozzled. This time we avoided getting drawn into speculations about the orgasms of prominent right-wingers, but still managed to fly off in all sorts of irrelevant and awful directions. Many things were said, with all the authority of drunk white guys, that were very wrong - in both senses. (The actual libels have been removed - even the true ones.) Even so, there's a fair bit of good, solid Doctor Who talk here. We all find Series 3 pretty interesting, it seems.
I must apologise for my posts being sporadic at the moment. I'm desperately trying to finish off some other (non-postable) projects while coping with a real life that is increasing frantic on both a work and personal level. I'm grateful to all of you for being patient - and especially to those Patreon sponsors of mine who are, at the moment, basically giving me money for nothing. Bless you all. If you want to give me money for nothing, go here.
Over the summer, I posted a rough draft of what I called a “Reading Guide” for Tom and Jerry. You know. The cat and mouse cartoon. I've since rewatched the series and revised my picks and criteria, so here's “Version 2”.
(Also, apparently something happened with the latest DTV Tom and Jerry movie? Apparently it went mememtic this summer without me noticing?)
I've been thinking a lot lately about the history of animation, particularly during the Golden Age, these past few months for a variety of reasons. I used to watch theatrical shorts all the time on Cartoon Network and I have a real affinity for that genre, but I think I've come to the conclusion now that Tom and Jerry is probably my favourite out of all the Golden Age series. Naturally, it's the most controversial one.
YAKIMONO: A course of flame-grilled meat. There are a number of episodes this would be a sensible title for, none of which are this one.
MIRIAM LASS: I remember a dream about drowning. Then being awake. And not awake. Being myself, and not myself. I remember I could smell salt air. We were by the sea. For weeks. Months. Longer. Days and evenings blurred, I'd wake up to the smell of fresh flowers and the sting of a needle. I wasn't afraid. Fear and pain were so far away, on the horizon, but not close. Never close.
Miriam’s description is loosely adapted from a description of Hannibal’s brainwashing of Clarice from Hannibal.
ALANA BLOOM: They found a witness. A survivor. The only victim of the Chesapeake Ripper who lived to tell.
HANNIBAL: Is this witness watching me now?
ALANA BLOOM: Yes.
HANNIBAL: It seems I am the usual suspect.
ALANA BLOOM: I keep having angry, imaginary conversations with Jack Crawford about that. I wish I could tell you why this is happening.
Why are Alana’s conversations imaginary? She showed no hesitation in picking a fight with Jack in season one, nor at the beginning of season ...
I was just popping by to tell you lot about a brilliantly fun new entry in the Amicus podcast from myself and Lee Russell, which you'll find here http://pexlives.libsyn.com/city-of-the-dead-14-asylum and will offer you just the tonic. If you like old Doctor Who, this sort of stuff is right up your alley. And if you don't, you'll probably dig it too.
I was just going to do that and be on my way, but I noticed that there was no Friday post from that wine chugging layabout J. Graham, so I thought I'd be your subsitute leftist for the week and post this recent essay that had previously been exclusively available to those who support me on Patreon. Feel free to throw paper airplanes and leave tacks on my chair in the comments below.
All over the world, white supremacists are flexing their pale, flabby muscles in this new age of online organising. In America, an emboldened, far-right Republican party controls the government. The Southern Strategy has made the Republican Party as hard right, as racist, and as popular as it is now. The strategy was (and is) the winking and ever ...