david whittaker

November 13, 2013

25

Jack Graham 50th anniversary countdown, africa, colonialism, cultural appropriation, david whittaker, imperialism, race, racism, the awesomeness that is vicki, the rescue 0

“Come in, won’t you?” calls the Doctor, “I’ve been waiting to talk to you.”

Koquillion answers the invitation.

“This used to be the Peoples’ Hall of Judgement,” remarks the Doctor, regarding the empty chamber sadly, “Fitting, in the present circumstances don’t you think? Mr Bennett, may I remind you that masks and robes such as you are wearing are only used on absolutely ceremonial occasions, hmm?”

Koquillion removes his face. Bennett is beneath.

He explains that he is a murderer.

“I killed a crewmember on the spaceship to Astra. I was arrested. The ship crashed. My crime hadn’t been radioed to Earth. I knew if I could get rid of the other crewmembers…”

“Get rid of the other crewmembers and blame their deaths on the Dido people, hmm?”

“When we crash landed, the inhabitants invited us all to a grand meeting. It was simple. I just arranged an explosive, using the ships armaments. The whole thing went up. All the inhabitants, the crew, the whole race.”

“You destroyed a whole planet to save your own skin. You’re insane.”

“The girl didn’t know I’d been arrested. When we get back to Earth, she’d support my story. I dressed up as Koquillion to show her how terrible the people here were.”

According to the Doctor they were actually hospitable and sociable people, the few hundred that used to live there anyway. The ones that survived Bennett’s explosion, and who turn up to get him, are pretty pissed off however. Understandably. But Bennet never had a moment’s doubt that his fable of their murderous fierceness would be believed.

Implicit in the very fabric of the story is the assumption that ‘Earth’ or ‘humanity’ means Whitey. Caucasians. Westerners. This is something that is far from unproblematic, and it occurs again and again, even – perhaps especially – in SF satires of colonialism. And, when the “Dido people” appear, they’re not represented as people of colour, which tends to rub people of colour out of their own story. And yet, as ever, there’s a double bind here. To represent them as people of colour would be for the culture industries Western imperialism to take it upon themselves to represent the kinds of people their own societies decimated. The solution isn’t to be found within the culture industries, or within the creation of TV texts. The necessary solution is a dialectical and political one that changes society, not just the attitudes of society, or the way society makes television.

And yet, all that being said… also implicit in this particular story is the assumption that Bennett would be believed without question when he dishonestly blamed the aboriginal inhabitants of an uncolonised ‘New World’ for a senseless massacre of his fellow passengers and crew. Also implicit is the assumption on the part of Bennett that the culture and sophistication of the Didoans counts for nothing, that their People’s Hall of Judgement is just another place that he can use and abuse them without being judged.

They key figure here is the mask. …

October 13, 2013

The Obligatory Returned-Episodes Post

Jack Graham 60s, bbc, david whittaker, enemy of the world, gender, missing episodes recovered, nigeria, patrick troughton, privatisation, race, web of fear, yeti 5

Hurrah, etc.

As Lawrence Miles says, there’s no point trying act all cool at a time like this. It’s great news and I’m very happy about it. Sincerely. You’d have to be a miserablist of a more perverse and determined stamp than I not to be as pleased as punch.

Of course, I could whinge about some things.

And will.

This blog has a USP after all.

I could, for instance, mention the way Nigeria – where the episodes were found – has suddenly swung briefly onto the mental radars of people who, until a few days ago, probably had only a dim idea that it existed at all. It’s ironic because, at more or less the time when those missing episodes were made, the Wilson government was helping the corrupt Nigerian military dictatorship crush Biafra. Britain continued arming the junta for years, despite government denials. The regime was engaged in a longstanding war against the Ogoni people – one of the forgotten persecuted peoples in the world. Shell’s exploitation of oil reserves in their region has had untold environmental and human costs, making the Niger Delta one of the most petroleum-impacted regions on Earth. In 1995, the Nigerian government – utterly in thrall to and bound up with Shell – began a campaign of ruthless repression against the growing anti-Shell protest movement. The ‘Ogoni Nine’, including Ken Saro-Wiwa, were arrested and executed, causing a (brief) international outcry. Nigeria achieved formal democracy in 1999 but the corrupt government still wages war against the living standards and rights of the Nigerian people in the service of international oil profits. Indeed, as in so many places, this war is a condition of IMF debt relief and loans. The American government occasionally declares itself troubled by the rigged elections and violence in Nigeria, but Nigeria supplies them with large amounts of oil – the country is up there with Saudi Arabia when it comes to oil exports – so they never do anything beyond the pious declarations. The crippling economic situation in Nigeria, with a huge portion of the population living in slums, is the root cause of ongoing ethnic and religious violence. Even the BBC is capable of making the connection between the violence and the poverty rate (above 60% and rising). Boko Haram, an Islamic fundamentalist group responsible for many attacks – including this last month – are based in the predominantly Muslim north-east, hardest hit by poverty. Go figure.

But they also had ‘The Enemy of the World’ and ‘The Web of Fear’ on a shelf somewhere, so I guess its swings and roundabouts, yeah?

Back in what I like to call my TARDIS Whingeorium, I could also mention the relative importance given by some to the release of these old episodes and the wanton sell-off of Royal Mail, which was announced on the same day and which constitutes a swindle on the taxpayer to the tune of millions, possibly billions… with much of the benefit available only to huge international ‘sovereign wealth funds‘. …

September 27, 2010

The Power of the Zargoids (Reconstructed)

Jack Graham daleks, david whittaker, fascism, hypocrite, power of the daleks, troughton, zargoids 0

What follows is a substantially rewritten version of something I wrote AGES ago and originally posted at my old site. The original version struck me as woefully inadequate (and embarassingly gushy… which is a fault of mine) when I reread it recently.

Is ‘The Power of the Daleks’ a parable about a democracy destabilised by fascists or about an authoritarian society destabilised by liberals, or even people who think of themselves as leftists? Well… the answer is, of course, yes.

If this is about the rise of fascism, there are some problems with it. Bragen works as a sort of fascist, scheming to replace a relatively soft regime with an authoritarian one which he will rule with an iron fist. But the presence of the Daleks muddies this, separating the barbarism of fascism from fascism as a political movement. The Daleks have always been symbols of totalitarianism so, when they turn on the astonished rebels, it makes it hard to see the rebels as analogous to the Nazi party. If the rebels are Nazis, it should be they who are persecuting the ethnic minority in the colony… and that’s the Daleks! And the depiction of fascism is inadequate anyway because it is depicted as the work of one man acting on his own psychological motives. The story manages to notice that fascism emerges from social democracy, that it is a mass movement which can mobilise some popular support and appear radical… but predicates it on one man’s ambition and offers no context for it, no recognition of the fact that it is a form of class war waged at times when the capitalist system is (or perceives itself to be) under intense threat from crisis, instability and rising working class resistance and mobilisation.

But a full analysis of fascism as an actual historical phenomenon isn’t what the story is trying to do. And, in any case, the rebels are never conclusively identified as a fascist movement… and nor is the Governor’s regime ever conclusively identified as democratic. It might be an unelected oligarchy, for all we know. It has military undertones, almost like the colony’s social superstructure is built upon the ranks and hierarchies of a military expedition. Hensall seems happy for Bragen to acquire more and more police muscle as long as he thinks they’re his to call upon. Hensall’s government certainly seems to operate very much behind closed doors amongst small groups of plummy-voiced men… but then so does ours and we’d call ours a “democracy”, meaningfully enough as long as all we’re doing is distinguishing it from places like Saudi Arabia. In any case, it’s perfectly possible that the rebels are a liberal or leftist movement reacting to an authoritarian regime.

The rebels don’t seem to be an ideologically revolutionary organisation. They certainly behave like one… although they may simply be a non-revolutionary organisation forced into clandestine meetings by authoritarian repression… though, the guards who’d do the repressing are commanded by the rebel leader, so…. hmm, it’s all a bit confusing.…