Viewing posts tagged fang rock

Skulltopus 13: Return to Fang Rock

My monomaniacal focus on the quasi-Weird(ish/esque) in Doctor Who resumes (after a bit of a hiatus... during which I just couldn't be arsed) and reaches the Graham Williams years, the heyday of the tentacular in the Baker era.  See here for links to all previous Skulltopus posts and here for the last one (which includes a summary of the whole thing so far).



I started the whole Skulltopus thing with 'Horror of Fang Rock', but that was ages ago (and before I really knew where I was going with this topic) so I feel the need to go back to it, if comparatively briefly.

Okay, so 'Fang Rock'.  Hmm.  Well, it's a Terrance Dicks script, isn't it?  Uncle Tel is, as we all know, well dodgy on politics.  He writes about how the working classes are happy being poor, and aristocrats are dandy, and the empire was kind of okay.  His baseline assumption is one of contented 'capitalist realism', of unquestioning acceptance of the status quo.  Plus he's rubbish on the question of women and sexism.  He's so bad on ...

Skulltopus 2: Bad Night at Fang Rock

Further to this post, in which I sketched out the ideas of the author China Miéville concerning the relationship between the tentacular and the Weird, and the superpositioning of the Weird and the hauntological in monsterology (please read that before you read anything below), here's my first attempt to look at Doctor Who through that lens.

'Horror of Fang Rock' (1977) seems like an obvious first port of call.  Set just before the First World War (in other words, in the years of the rise of the semiotic octopus, just before the explosion of the Weird), the Rutan is a tentacular monster, though the tentacles are rarely seen and, on the whole, the creature seems more like a jellyfish (even down to its "affinity with electricity").


It seems to be a manifestation of the nebulous electrified military modernity that the character Reuben so resents and fears.  It seems permeated with technology through its affinity with electricity.  It uses the generator, speaks of its ability to shape-shift as a "technique" and leaves bits of its own alien tech all over the place, including a "signal modulator" that chimes thematically with all the concentration on the lighthouse's wireless telegraph ...

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