Viewing posts tagged jenny and vastra
4 years, 11 months ago
The veil. A politically loaded symbol. It carries all sorts of old semiotic baggage, of course. Weddings. Widowhood. Ladies in Conan Doyle who want to hide their identities (thus it has a trajectory into the figure of Madame Vastra via Victoriana). In genre TV these days, a woman wearing a veil is likely to be a tragic or vengeful figure, hiding a facial scar of some kind. (See 'Silence in the Library' / 'Forest of the Dead'.)
The veil is thus something that implies a particular set of social situations for women. The connection appears to be the concept of separation. The veil is a boundary between the woman and society. It creates a space in which she can hide her unsightliness, either disfiguring grief or grievous disfigurement, from those who don't want to have to see it. The wedding veil is lifted as the woman is taken possession of in the marriage ceremony; thus it is there to emphasize her acceptability by temporarily putting it in doubt. It is, of course, the symbolic tearing of the hymen. The man takes possession and breaks through the barrier ...
4 years, 12 months ago
I've realised who Strax reminds me of: the policeman from 'Allo 'Allo
. But not as good. That's a cheap shot, but I do have a serious point to make.
Strax, you see, is essentially a funny foreigner. You know, with his allegedly hilarious misunderstandings and all that stuff. Moffat evidently imagines that Strax's misunderstandings are a rich and continuing source of humour, since he stops the plot of 'Deep Breath' for a few minutes so that he can (once again) run through all the same Strax jokes he's already done several hundred times in other episodes. (This, by the way, is another way in which Strax resembles a character from 'Allo 'Allo
- he is the same joke, repeated endlessly, over and over again, with the laugh demanded - upon recitation of a well-known catchphrase - from an audience supposedly trained via pavlovian technique. If you object to my singling out 'Allo 'Allo
here then, really, I agree with you. How about we use Little Britain
as our example instead?)
Of course, the funny foreigner - with all the imperial contempt and jingoistic chauvinism that is built in to it - is a very ...