Viewing posts tagged nicola bryant
9 years, 5 months ago
Posting this for something to do. It's a tweaked version of something I originally wrote for Shockeye's Kitchen. It's been rewritten to be more politically correct.
Several of the characters in 'Planet of Fire' are orphans (either literally or figuratively). Turlough and Malkon are literal orphans. You can look at the Sarns as the orphans of the vanished Trion colony. Peri also seems like an orphan in some ways. Her father is absent (dead?). She tells her stepfather Howard of her plan to travel to Morocco but doesn’t appear to have any plans to tell her mother about it. She goes to Howard for support and money, not to her mother. But Howard is too close to Peri’s age to properly serve as a father figure. Moreover, Peri seems attracted to him; she flirts with him by talking about "the God of love and fertility" and obliquely refers to the fact that he goes around displaying his washboard. Her decision to bunk off to North Africa with a couple of guys she’s just met is obviously a bid for Howard’s attention. Feverish after her brush with death, Peri has an intense ...
9 years, 9 months ago
Here's my Timelash II stuff for 'The Trial of a Time Lord'. Some extra bits and some rejigging here and there.'The Mysterious Planet'
Bob Holmes redoes 'The Krotons'... which looks more acceptable now that we have a showrunner and head writer who, essentially, just does the same story again and again and again.
The production design comes to a high standard but belongs in a different story. It's clear that Marb Station is supposed to be dark but it gleams with light. Holmes has the underground dwellers talk about "the train", which is clearly supposed to be something that runs on the old underground rails, etc. Everything looks good but nothing looks right
. The Tribe of the Free look like peasants in an authentic peasant village... but they should look like something out of Mad Max
, with loads of decaying, retro-fitted, malfunctioning technology that they don't understand and use for things like propping open doors. We need salvagepunk
but we get re-enactment kitsch
. As Richard Pilbeam
put it: "It's like doing 'Talons' in the style of a Quality St. ad". Glitz and Dibber look... um, interesting... but they look as much ...