Viewing posts tagged mcgann
1 year, 9 months ago
Because my Patrons are just so gosh-darned nice.
|"Man, this is the second-worst episode of Doctor Who I've been in."|
It was, of course, one of the highlights of the Fiftieth Anniversary. A tremendously sentimental and cool moment for fans, a fantastic way of officially revealing what the Hurt Doctor was, and a lovely gift to Paul McGann, who will pretty much never have the TV Movie be someone’s introduction to his Doctor again. And we have a full set of regenerations now, if you care about that sort of thing. Just about the only thing it isn’t, really, is a satisfying ending to the Eighth Doctor Era.
It tries, and that is a real part of its charm. I mean, one is pretty much sure Moffat included the litany of Big Finish companions as an acknowledgment of the Eighth Doctor Era - you know, that messy, historical thing that actually happened. The one with a giant bone thing in the sky, and he’s traveling with a fish, and there’s that girl from Jonathan Creek. Lego. They’re all made out of fucking Lego. Moffat probably even knew what would actually happen, which was that Big ...
2 years, 3 months ago
As a piece of television - as a historical artifact, say, to be observed at some future date, - this is bizarre. It can only be described as a nineteen-minute DVD featurette for the TV Movie. To some extent all of The Doctors Revisited
are DVD extras, and this one is one of those ones in the rather weird tradition of trailers for a thing you've already decided to spend money on. "Here's the interesting bits of what you just watched," essentially. Except actually put before the TV Movie.
As a result, it inevitably comes off as an apologia, which, to be fair, it basically is. Moffat's intro feels more selectively edited than usual. They have Marcus Wilson, who for a couple episodes now has seemed to be taking over for Caro Skinner in the job of being asked nicely to say something by the producer and then having the camera be turned on (I will be honest, I have no actual idea whether Skinner or Wilson were actually big Doctor Who fans who were expressing their genuine memories of the time or whether they are, like John Barrowman blatantly is, being briefed on Doctor Who lore and then ...
If you missed yesterday's mini-post, I'm releasing Wednesday's entry on Rose (over 13k and as good as I hoped it would be) as a backer-exclusive update on Kickstarter if we reach $10k there. So if you want to see it early, please consider our wide variety of inexpensive reward tiers. Also, if you've never bought any of my books, I've got a new reward tier that gets you all the existing ones in ebook form for $5 less than they usually cost. Plus you can pre-order the Logopolis book via Kickstarter. It's all right over here.
So here we are. A spinoff of a spinoff. Doctor Who’s own planet Dust - the furthest extension of its narrative reach. The single most remote object that can possibly be called Doctor Who. Faction Paradox. Its effect on the world is vanishingly small. It could be wiped from history, completely removed from Doctor Who’s warp and weft, and the observable effects would be exactly zero. Faction Paradox has had no visible influence on Doctor Who, or, for that matter, on much of anything save perhaps itself. Its writers are marginal, its ideas arcane, and, notably, even ...
The list of proper “alternate Doctors” is relatively small: you’ve got Cushing, of course - the alternate Doctor who has actually impacted culture in any meaningful sense. You’ve got the Curse of Fatal Death set of Doctors, but they were never actually meant to be taken as seriously as they are. And you’ve got Trevor Martin, but since he was in a 1974 stage play that nobody knew much about until 2008 when Big Finish did an audio adaptation, he’s pretty firmly purely a trivia answer.
It’s worth thinking a little bit about the nature of “alternate Doctors” in this regard. Our pool of three noteworthy interests contains exactly zero that were ever intended by anyone as a serious alternative to Doctor Who. Cushing’s Doctor existed only to provide a platform upon which Dalek thrills could be built. The Curse of Fatal Death was, as noted, a joke, though for all its quality it turned out to be not nearly as funny as fans taking it seriously as a plot to kill off Doctor Who by burning through the remaining regenerations, a viewpoint that is fascinating in its utter wrongness. And Trevor Martin was a ...
Good morning everyone. Some orders of business before the post. First of all, the Kickstarter continues to be blowing me away. As I mentioned over the weekend, I was needing more stretch goal ideas. T. Hartwell had the winning idea: an art book version of the Logopolis entry
formatted to look like a Choose Your Own Adventure book. Read about it here
, and consider contributing. The costs for ebook and print editions are the same there as they will be on Amazon, so if you're even going to buy the Hartnell second edition when it comes out, go ahead. There's also some new rewards to check out.
Second, if you missed it, I got invited to join Mac Rogers as a panelist on Slate's Doctor Who recaps for this season, and got to discuss Hide with him this week. Given that the episode had what some are immodestly calling a shout-out to this blog (I remain silent but terribly amused), this was perhaps an auspicious omen. Certainly I had fun, and if you want a preview of some of my thoughts on the Moffat era it's probably a good read. That's up over here
Thanks to everyone again on the Kickstarter
. This has... been humbling.
It is entirely possible that Sometime Never… contains the single dumbest retcon in all of Doctor Who. Given the competition for the title, this is no mean feat. But Justin Richards is up to the task, answering for all of the negative four people who were really interested in what the Doctor’s origins were in the new post-Time Lord universe. We’ll get to the particulars of this revelation in a few paragraphs and deal with the sort of awe-inspiringly pathetic flop that it makes when it arrives, but for now let’s take a step back and look at the score, as it were.
This is technically not a Time Can Be Rewritten post. Actually, we’ve been suspended oddly in limbo since The Creed of the Kromon in that regard, having done an extended jaunt through the Big Finish audios and their Eighth Doctor endgame and then wandered over to do the comics and some Pop Between Realities. So we’re still in the same month of The Creed of the Kromon. Why did we wait so long before circling back to the exact same month ...
Let's start with a quick update on the Kickstarter for the second edition of the Hartnell book
. Short form: it's doing amazingly. We're well over goal, and working our way through stretch goals at a pleasant clip. Right now the stretch goals are commentary tracks for specific episodes. So let's talk about that.
I've been musing off and on about whether there's a sequel to be had in terms of TARDIS Eruditorum. And in terms of the blog, no, there isn't. I'm not going to have much more to write on Doctor Who when I'm done. I mean, I'll come back at the end of every season or so and do a catch-up, but it's not like I've developed bold new interpretations of The Web Planet since 2011. But there's always been a dimension the blog hasn't been great at doing: the visuals and storytelling of episodes. Simply put, that's stuff that's easiest to talk about when you have clips in front of you. And while I've occasionally done video blogs (Here's a random example
) that talk about this, it's just ...
First off, an announcement: I'm funding the second edition of the William Hartnell book via Kickstarter. The link is here
. Please, contribute, spread the word, et cetera. There are some lovely perks available - most of the tiers amount to "pre-order the book," but if you're interested in signed copies, that's up there too. Also, for all the people who have ever requested that I cover something in one of the future volumes, here is your chance to make me. Plus there's a Kickstarter-exclusive essay to be had at any donation level.
You might fairly ask why I'm funding the project this way. The answer is pretty simple: I know the financials on a new book. I know how much a book makes in its first month and how to balance production costs against that. But I have no idea how to budget an updated edition, and I don't want to put out a bunch of money on production and then have the book take six months to earn out. So I'm trying to fund it via presales. If the Kickstarter falls through it doesn't mean the book won't happen, but it ...