Eruditorum Press

Doxing gods

pirate planet

42

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“Freedom at last!” says Kimus.  Because he’s flying in an air car.

“You’re not free yet,” the Doctor reminds him.

Kimus observes that he’s “free to think”, yet doesn’t seem to be doing so.

They chat about how Kimus’ world works.  It has mines that function by themselves.

“What happens when they run out?” asks the Doctor.

“The Captain announces a new Golden Age of Prosperity and they just fill up again.”

Kimus notices a certain reserve in the Doctor’s manner.

“You don’t think that’s… well… wrong?  Do you?”

“It’s an economic miracle,” says the Doctor, “of course it’s wrong.”

What actually happens, of course, is planetary piracy.  Or, to give it another name, imperialism.  Kimus’ planet (“Zanak” as Romana or Mula would helpfully remind us) materialises around other planets and then mines them down to a tiny, crushed pulp, killing anyone who happens to live on them in the process.

Real imperialism is considerably more complex than this… but the basic picture is essentially right.

Much as the people might stagily cry “hooray!” for the Captain whenever he announces another Golden Age of Prosperity, they are not the ones he serves.  Their tyranny is one which gives them fine clothes and jewels to kick around the street, but that’s a by-product.  The crushed planets are fed into a system to keep an ancient queen alive.  Stuck forever at a moment of near-deathly stasis, her need for energy is nevertheless immense… and growing.  The energy flows in from the crushed planets to the ravenous centre of the system.  And the hunger at the centre only grows.  The more it gets, the more it needs.  The real dividends always fall.  The crisis looms, and the only way to fend it off is to extend further and further, to accumulate more and more and more.  And with every extension, the hunger grows.…

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In the DNA

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Happy birthday Douglas Noel Adams.  Shame about you dying, but still.

I hear there’s a new TV series based on Dirk Gently.  I haven’t watched it.  With is odd.  If someone had told me, even ten years ago, that there would one day be a Dirk Gently TV show and I wouldn’t watch it, I’d have thought they were insane.

But look at this.

That’s Dirk, apparently.

Funny.  It reminds me of something.

Oh yeah.

In the novels, Dirk is described as fat, ugly and toadlike with a wildly mismatched clothes, a long leather coat and a ludicrous red hat.

Still, that wouldn’t make good telly, would it?

Adams was, in his way, as concerned with entropy as Bidmead.  He even has Skagra mention it in ‘Shada’.  Entropy, of course, is the shuffling of everything into predictability.  The ultimate terminus of increasing entropy is the reduction of all things to homogeneous porridge.

Just saying.

Adams himself was very concerned with the corporate crapization of everything into synthetic banality.  It’s a running concern of the Hitch Hikers books, from the Sirius Cybernetics Corporation to Infinidim Enterprises.

Funny thing is, if you were going to do Dirk as he’s written, you’d probably end up with something not entirely unlike this.

Damn that Nutrimatic Drinks Dispenser.

Pudgy, loud, obnoxious, loquacious, domineering, tasteless, grumpy.  Just add chain-smoking, pizza-addiction, slovenliness and a tendency to con rich old ladies.

Adams was sometimes very influenced by Doctor Who.  For instance, the cricket-commentator stuff in Life, the Universe and Everything is highly reminiscent of similar scenes in ‘Volcano’ (but funny) and Arthur Dent even finds himself faced with a gigantic stone image of himself on an alien planet in the second series of the Hitch-Hikers radio show, just a few years after pretty much the same thing happened to the Doctor.

I’m not accusing Adams of plagiarism, you understand, just of having been influenced… and no writer can work without influences.  Indeed, one view of writing is that it consists of the shuffling around and misinterpretation of what other people have already done in some way or another.  Nothing wrong with that.  And Adams was one of the most brilliant comic writers who ever lived, so….

But I’ve often wondered if the Sixth Doctor bequeathed a little something of himself to Dirk.  Was Adams watching the show in 1985-6?  The first Dirk book came out in ’87.

Perhaps its just the elision that I created in my own mind when reading the Dirk Gently novels as a teenager.

In any case, happy posthumous birthday Douglas.  Thank you for ‘Pirate Planet’ – a deceptively angry story about imperialism and the cost of prosperity – and for co-writing ‘City of Death’.  Sorry about what they did in that fucking film.  And sorry about that Artemis Fowl  bloke pissing on your grave while lighting cigars with banknotes.  And thanks for creating an award for The Most Gratuitous Use of the Word Fuck in a Serious Screenplay.  I remember reading that at about the age of 16 and laughing so much I nearly suffocated.…

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Economic Miracles

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This is my Timelash II stuff on the subject of Graham Williams’ tenure as producer… it’s a bit thin because I’ve either posted about several stories from this era elsewhere or because I’m planning to.  Also, to be honest, some of the stories simply don’t yield much grist for my mill.  That isn’t to knock the Williams era, which contains some of the most politically interesting Who stories ever made (which is partly why they needed – or need – posts all to themselves).  Notice, for instance, how the stories glanced at below seem obsessed with fuel, economics and questions of prosperity vs. austerity… s’what comes of making Doctor Who in the context of the late 70s I guess…

I’ve written about ‘Horror of Fang Rock’ here and ‘Image of the Fendahl’ here.

‘The Sun Makers’

This is from elsewhere on this blog, but it’s part of a wider article.  I thought it could tolerate repeating… especially since ‘Sun Makers’ is a favourite of mine, for reasons which should be obvious.  I don’t think, by the way, that this story has ever been more relevant than it is now.

Some idiot once wrote that, in this story, the rebels are worse than the baddies. I dunno what story he was watching, but it ain’t the one I know as ‘The Sun Makers’. The Others might be a motley and even unsavoury lot but they’re hardly as bad as the planet-enslaving Collector and his pet Gatherer. Mandrel makes nasty threats that he doesn’t try very hard to make good on. The Doctor, ever a keen judge of character, doesn’t seen worried by Mandrel even when he’s waving a red hot poker in his face. Leela has some choice words for them that are very pertinent. She calls them cowards and that, essentially, is the trouble with them. Mind you, you can’t blame them for running away from life in Megropolis 1.

Some other idiots have occasionally argued that ‘The Sun Makers’ is a right-wing allegory because it depicts a tyrannical state and rails against taxes. Well, that’s fine if you’re dumb enough to buy the bullshit lie that conservative politics really is all about defending personal liberty from big government and punitive taxation. In fact, ‘The Sun Makers’ couldn’t be clearer about its political sympathies (even if you stick your fingers in your ears during the playful misquoting of Marx). The tyrannical state in this story is the Company. They are effectively one, or the Company exercises such control that they might as well be. This isn’t a big state stifling the liberty of free enterprise and free consumers. This is a big state as a vehicle for corporate domination. The Company is a private concern, engaged in “commercial imperialism”. The Company has, essentially, carried out a hostile takeover of the government. This is one big state that’s been privatised.

The icons of modern conservatism (i.e. Reagan, Thatcher, Bush, Bush II) are usually, for all their populist anti-government rhetoric, ultra-statists. They might reduce bureaucracy here and there (usually by cutting public services, etc.)

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