Time Can Be Rewritten 33 (The Shadow of the Scourge)
While Paul Cornell is not the most popular writer to come out of the Virgin era, of the major and acclaimed writers of the Virgin era it is perhaps Cornell who is most indelibly associated with it. Kate Orman penned nearly as many novels for BBC Books as she did for Virgin. Gareth Roberts didn’t write for BBC Books, but was always open about the fact that his real home was the Graham Williams era. And nobody was ever going to mistake Mark “any old fucker with an Equity card” Gatiss for a Sylvester McCoy fan. But Paul Cornell was unambiguously a Sylvester McCoy fan above all other Doctors, and given how many of the iconic New Adventures he wrote it is that era, more than any other, that he’s associated with.
And so it was not in the least bit surprising that when Big Finish decided to do an audio set in the New Adventures era they called on Paul Cornell to write it. But Cornell’s association with the New Adventures was in many ways misleading, in that for all his influence on the line he was, in many ways, diametrically opposed to what the New Adventures were most often taken to be like. The New Adventures are, by reputation, the Doctor Who of the dark, grim, and gritty nineties, with the Doctor as a ruthless chessmaster who manipulates the entire universe. It should already be clear that this reputation is only part of the story, but equally, it’s a real part of it. But if the New Adventures are like that and Paul Cornell is the definitive New Adventure writer than it seems like it should follow that Cornell’s work is like that.
And here we get the rub. Back in the entry on The Highest Science we talked about the rad/trad distinction between books, and why it doesn’t quite work. But there’s a second major distinction between types of Doctor Who, which is the “gun vs frock” debate. We should perhaps start by pointing out that this is a spectacularly loaded framing of a debate. In one corner you have the gun, an implement which the Doctor is typically defined in part by his tendency not to carry. In the other you have the frock coat, which the Doctor habitually wears. So it’s pretty clear which side of the debate whoever framed it falls on, and that is in turn something that influences the tone of the debate. Scads of people identify as frocks, but guns are all “those people.”
The rough contours of the debate are that “gun” writers want Doctor Who to be terribly serious and straightforward, full of violence and properly bad bad guys who are scary and terrifying and must be stopped at great cost. Earthshock, if you want a classic series episode, is probably the gunniest of gun stories. Or Inferno. Terry Nation is a reliably “gun” writer. Frock stories, on the other hand, are camp and fun, and tend to feature the Doctor getting villains to bring themselves down through the consequences of their own schemes.…