Comics Reviews (September 2nd, 2015)
You know the drill; worst to best of what I bought.
But first, something I didn’t buy, because it’s free.
Electricomics
Out today for free for iPad, this is the digital comics platform Leah Moore and company have been working on, featuring, among other things, Alan Moore and Coleen Doran’s “Big Nemo.” Which is unsurprisingly the highlight of the package here, with a series of clever uses of the virtual page and its mutability that evoke the playful wonder of McCay’s work in a new medium. It feels like it ends on the title page of what should have been a much longer comic, though. The Garth Ennis strip is also neat, but the other two feel more interested in their own whizz-bang gimmicks than in actually being interesting, and the app is still a bit sluggish, resulting in frustrating reading experiences for both of them. Still, well worth the price, and they’re apparently still smoothing it out, so hopefully it’ll end up as a more functional package in a few weeks. Still hard to see this having much in the way of legs as a platform, but a fun little oddity of the world.
As for paid stuff…
18 Days #3
The art takes a turn towards abject mediocrity, the plot seems to wander off completely from anything it had been doing, and Grant Morrison’s not even in the credits as doing anything but “creating” a series that’s just a retelling of classical Hindu mythology. Wretched.
Daredevil #18
Fine, in the sense that there’s little wrong with it as such, and it’s nice that Waid was given leave to avoid there only being Secret Wars at the end of his run, but the truth of the matter is that he stayed on this book at least a year too long, and probably closer to two. It’s never been bad, but the energy had long since drained, and the denouement, despite bringing Kingpin in, did very little to change that. And the Shroud’s plot seems totally unresolved.
Doctor Who: Four Doctors #4
This lost rather a lot of pace for me, with an ending that’s much more “what’s happening” than “what’s going to happen” and the limitations of Neil Edwards’s art getting in the way of the story sometimes. (His Tennant and Smith can be very indistinguishable in the middle distance.) There are fun bits, but this event is starting to look like it’s going to underwhelm.
Silver Surfer #14
There’s really not such a thing as a Michael Allred comic that’s not fun to look at, but this has to be the most one note comic I’ve seen in a while; it starts with a tone, carries that same tone to the end of the comic, and then, well, ends, generally without doing much. Strange and lazy-feeling, frankly.
Miracleman #1
The best part of this comic is the edit to Neil Gaiman’s script to refer to “The Original Writer.” So nice to see the project still haunted by its past.…