Okay, first let me apologise for the paucity of long-form written pieces here at Shabgraff lately. Normal service will (hopefully) be resumed fairly soon, or a proper announcement of some new normal will have to be made.
Next, let me remind you all of the existence of two new(ish) podcasts featuring me.
There’s a new episode of Oi! Spaceman, in which I join Shana and Daniel to – for reasons that now elude me – talk about ‘The Return of Doctor Mysterio’. HERE.
And there’s a bonus mini-episode of Wrong With Authority, featuring myself in conversation with Daniel about the 2007 David Fincher movie Zodiac. HERE.
We may do more of these (comparatively) short extra episodes in future, with just a couple of us chatting about a movie outside our main sequence. We’ve decided to call them Footnotes. Because we’re just so damn cute.
On the subject of podcasts, there are some great Shabcasts coming up, including another Drunken Whocast (which seems to be genuinely becoming a new regular thing) and a fantastic chat between myself and Sam Keeper of Storming the Ivory Tower on Star Wars, Rogue One, etc. We talked about, amongst ...
The podcast for The Pyramid at the End of the World is up for your listening enjoyment. You can download it here.
The Mestral is stunned, but not for long.
Rav implores that he only wants her “safe” (which the Mestral quite aptly reads as “tame”). He claims he's trying to protect her from the factions trying to assassinate and usurp her. But the Mestral sees right though his ploy-He's working for one of the other factions, and they're trying to use her own feelings of love and loyalty to cloud her judgment. And she can play the same game: Having directly threatened her, Rav must be arrested and tried, and the only way for him to escape sentence is to kill her. Which she knows he won't do, because he loves her.
The Mestral covertly opens an audio channel to the Enterprise, and, by cleverly rephrasing an exposition recap into a challenge (“You used that phaser on Venant, Rav, but you won't use it on me...So you may as well put it away”), she manipulates Rav into revealing his plan to the Enterprise crew. He knows he can't shoot her and that she won't back down, so he and his co-conspirators are planning to kidnap her and bring her back to Eldalis where ...
BUFFET FROID: Literally “cold buffet,” referring specifically to a charcuterie platter of thin-sliced meats. In this context, a joke about Georgia Madden’s shredding skin.
It goes without saying that there is a strange unreality here, but this is presented very differently from how Hannibal usually proceeds. It’s never before had to conjure a disposable POV character just to kill her off a few minutes later. Part of this is the peculiarities of Georgia Madden - she’s unsuitable to be a POV character herself, and there’s only one other choice. But a more basic reason is that this is the opening of a horror movie, with Madden being positioned as something that comes at the show from an odd angle She doesn’t quite belong in this series. Unlike with “Œuf,” a previous case of a killer of the week who’s not quite right for Hannibal, this is something the show is at least conscious of this time.
Timeline of events.
I leave ...
A recurrent and to my mind fascinating theme of Peter Harness’s Doctor Who work has been its distinct hostility to democracy. Kill the Moon hinges on the flagrant disregard of the expressed wishes of humanity, while the Zygon two-parter ultimately endorses the existence of unelected guardians who lie to people in order to keep them under control. I should stress, if it’s not obvious, that my fondness for this is not straightforwardly a quasi-neoreactionary rejection of democracy or endorsement of dictatorship - rather it is specifically the extent to which the episodes themselves seem conflicted on this. It’s a bit of grit that complicates the show’s default ethos of liberal centrism - something that extends naturally out of its embrace of rebelliousness and dissent, but that the show usually avoids having to look at head-on.
So it’s not especially a surprise that Harness, writing in the heat of 2016, turns in a script that is more explicitly about the terrible decisions that humanity makes than ever before. This time there is no undemocratic savior to be had. Indeed, there’s not a savior of any kind - the bad decision is taken and the bad guys win. The Doctor’s scheme to stop them is ...
Hello there... bit of a serious Shabcast this time, though there are some laughs along the way.
(EDIT: I forgot to say that I'm joined by James - who really knows about this stuff - and Daniel - who really knows about this stuff in America.)
This episode was prompted by the 'Dementia Tax' story, and became about the crisis in the NHS generally, and also about the horrors of the American system. It was recorded before the 'Dementia Tax' story developed (with Theresa May's humiliating kindasorta u-turn) and also before the attack in Manchester, so it's a bit of a relic... but even so, these are live issues, and a lot of what we say hasn't gone out of date. The NHS is still in crisis, and its still the Tories' fault, but also still tracks back to New Labour. And the American system is still awful, and the few improvements made by Obama may still be about to be destroyed, and we in the UK are still headed in that privatised, profit-driven direction.
I'd appreciate people sharing this about, for propaganda/electioneering purposes. You never know, it might help ...
I'm joined by Jack Graham to talk Extremis. It doesn't so much go off the rails quickly as never actually manage to find the rails in the first place. You can download that here if you're so inclined.
Geordi La Forge, Doctor Crusher and Worf are in the holodeck, reviewing security sensor footage. The ship's internal sensors detected the mysterious humanoid figure who we saw creeping through the engineering deck hallways to the shuttlebay in the teaser at the end of issue one, and now the crew is trying to determine who this person was because that's how they got access to the Scherdat ship in order to place a bomb on its hull. Although the figure was too far away to be captured in full detail, Goerdi, Bev and Worf see enough to make some general observations: Although they look humanoid, the outline of the body is odd and unnatural, particularly around the midsection. This is almost certainly a skinsuit disguise of some kind.
Geordi can pick up thermal signatures from the sensor feed through his VISOR. Although he can't yet get much on the figure itself, he can tell it's carrying a plasma bomb, though it hadn't yet been armed (which explains why the ship's sensors didn't immediately detect it as well). Once the figure enters the shuttlebay, Geordi can get more information because the sensors are more sensitive ...