“Bad Future”: The Best of Both Worlds, Part II, Family
Previously on Star Trek: The Next Generation…
“This is the real reason the Borg are here and, more to the point, why the Borg win. What they impose on the show, what all of ‘The Best of Both Worlds’ does, is narrative collapse. Defined as a combined diegetic and extradiegetic threat to the continuation of a specific structure such that the risk no further stories within it can ever be told becomes frighteningly real, narrative collapse manifests itself when the narrative internalizes its own unsustainability, and can only be averted through a blood sacrifice. And this is precisely what’s happened to Star Trek: The Next Generation, because, even by its admittedly rocky pre-existing standards, this season has simply gone too far. The show’s infuriatingly constant failure to follow its own example and live up to its potential has become pathological, and it’s now even found itself staffed by people who not only don’t understand it, but openly hate it and actively work towards the detriment and dissolution of its ideals. The Borg see this, take advantage of it, and they make their move early.The very thing Star Trek: The Next Generation was supposed to be self-evidently superior to such that open warfare with it would be unthinkable in this form catches it completely off guard and horrifically curb-stomps it into submission, dealing a crippling blow that even tears apart the Enterprise family…”
“Because also like Michael Piller, I’m approaching this as a two-parter, but have only put actual thought into the first part. When Piller wrote ‘The Best of Both Worlds’, he was not anticipating returning to Star Trek: The Next Generation for its fourth season (which it was most assuredly getting, just in case you may have had any doubts) and had no clue how to bring everything home again. He set up the most terrifyingly comprehensive and meticulous deconstruction of the show he could think of, and wasn’t planning on being in a position to undo it. Will Captain Picard survive? If he does, how will we get him back? Will Patrick Stewart come back? Will Michael Piller? Can we stop the Borg from realising the Federation’s destiny before its time? Can we prevent the narrative collapse and save Star Trek: The Next Generation, and, if we do, what will we be forced to give up? How am I going to continue this essay even though I’ve made all of the points I wanted to make already?
Right now, I honestly don’t know.”
And now, the conclusion…
There was no question about it. Star Trek: The Next Generation was *the* show to talk about during the summer of 1990. Throwing out a milestone in television history and the most infamous cliffhanger ending since “Who Shot J.R.?” will do that to you. There was nonstop speculation in every entertainment rag in the industry about what was going on behind the scenes and what the show might be planning for its fourth season premier.…