“A cat may look at a king…”

“Whom Gods Destroy” is famously bad. It is also famously unapologetically repetitive, reiterating the exact same plot of the first season episode “Dagger of the Mind” down to reusing the same chair prop that was central to that episode’s climax. It is also, like the vast majority of third season episodes, riddled with plot holes, logic lapses and inconsistent characterization: In terms of basic narrative structure and coherence, it’s once again a mess. “Whom Gods Destroy” seems to be a particular bugbear for Leonard Nimoy, who spent the entire week writing memos and complaints about it to anyone who would listen including, but not limited to, Fred Freiberger and Douglas C. Cramer, the Paramount Studios production executive.

While the laziness and sloppiness are painfully apparent, I’m not especially inclined to tear into them here for a few reasons. One, exasperating as it is, this is not really unusual for this season, and really I’d go so far as to say it’s standard operating procedure for the show at this point. Secondly, even if it hadn’t been officially stated yet, it’s pretty clear Star Trek‘s time is just about up. We’ve had our bonus year, and the show has about two months left before it’s put to bed for good. It’s rather pointless to get too worked up about structural problems now. While it’s possible we might get one or two late-stage minor classics along the lines of “Wink of an Eye” or “That Which Survives” in the remaining stories (I have little to no recollection of the next batch of episodes except for the really blatantly obvious ones), the show is for all practical purposes done and we’re just killing time before the inevitable sits in. This run of episodes is the word death of the Original Series.

“Whom Gods Destroy” isn’t even all that bad given the standards of the 1968-1969 year. It manages to on the whole avoid being as incensing as “Elaan of Troyius”, “The Paradise Syndrome” and “What Are Little Girls Made Of?”, though it does have a few ethical issues of its own. And, while it’s not as much of a B-movie pleasure as “Spock’s Brain”, there are certainly parts that are genuinely entertaining in a way only the most gloriously trashy science fiction can be. Indeed, though “Whom Gods Destroy” is certainly nowhere near as thought provoking as “The Tholian Web”, “Plato’s Stepchildren” or “Wink of an Eye”, it does actually manage to occasionally drunkenly stumble into one or two genuinely captivating concepts. What we have here is probably Star Trek’s first Curate’s Egg: It’s a disaster, but parts of this disaster are quite excellent.

Let’s square away the obvious issue right away. “Whom Gods Destroy” is literally a retelling of “Dagger of the Mind”, and a shitty one at that. This time the story follows the almost cartoonishly stereotypical plot of having the inmate running the asylum have a Napoleon complex, on which I’ll have more to say a little later.…

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“It’s the end. But the moment has been prepared for.”

Personally, I’ve never been drawn to the idea of casually “marathoning” a television show. The idea of spending days locked inside watching every single episode of some TV show sounds to me like some heretofore unknown circle of Dante’s Hell. I’ve never felt the need to be completionist about television because I’ve always understood the realities of day-to-day, ’round the clock production inevitably mean not every episode is going to be a classic, and I see no need to force myself to sit through obvious misfires in what’s supposed to be my downtime.

Now for a project like this I do, of course, have to watch every episode, or at least almost every episode, because the point here is to get a relatively comprehensive understanding of the history and evolution of Star Trek. But if I were to just watch this show casually, I’d have no hesitation to skip over huge swaths of it because frankly the idea of watching “The Paradise Syndrome”, “Elaan of Troyius” or “Space Seed” again is the antithesis of entertaining to me. My point being I was long under the perhaps mistaken assumption that other people might have a similar viewpoint to mine here, so whenever I’ve been asked by someone to introduce them to a show, I almost always give them a truncated episode list of recommendations instead of flopping a twelve-disc DVD box set on their table. I figure if a friend, who presumably shares at least some of my taste and habits, is asking my advice on Star Trek they’re not likely to find “A Private Little War” any more enjoyable or engaging than I did. So, when a few years back my sister wanted to get into the Original Series, of which she had no prior familiarity, I gave her a crash course on the show, and “Let That Be Your Last Battlefield” was the place I suggested she stop.

I hadn’t seen the Original Series in quite awhile when I made that list, and were I to do it again today I would have done a number of things differently: I’d have taken one or two episodes out and put a great deal more in (mostly from this season, interestingly enough), so apologies for that if you happen to be reading. I’m not sure if I would still have put the cutoff at this episode, because I have not, as of this writing, seen the last few episodes of the third season, though I at least feel I’d be justified in calling it quits here if I were so inclined (and yes, don’t worry, we’ll see the old lady all the way through “Turnabout Intruder” to port, no matter how painful it might be). “Let That Be Your Last Battlefield” marks a number of endings and lasts of its own: It’s the last really iconic episode of the Original Series, mostly due to Bele and Lokai, though there’s something to be said about the art design on “The Cloud Minders”, I suppose.…

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