IDSG Ep52 - Genocide and The Right Stuff

Special episode this week, as Daniel explodes the bullshit of the 'Right Stuff' / 'Daily Shoah' chuds.  Contains clips from Nazi podcasts.

Let us know how you like this new format.

Content Warning


Show Notes:

Brenton Lengel Twitter:

Nationalism Vs Antifascism Debate:

Lewontin's Fallacy at Wikipedia:

Matthew Q. Gebert identified by the SPLC.

Angry White Men covers the Daily Shoah episode from which the "Unironic Exterminationism" clip comes.

Magnus Hirschfield at Wikipedia., "How the Nazis Derailed the Medical Advances Around Sexual Reassignment Surgery." (Enoch reads this text in the episode.)

TDS446: The Adolf in the Room Full Video at Bitchute

Dario Gabbai Tells His Story.

Excerpts from Goebbel's diary entries, March 1942 at Nizkor:

Holocaust Controversies, "Goebbels on Liquidation."

Holocaust Controversies, Index of Published Evidence ...

Last War in Albion Book Two, Chapter One: A Machine That Kills (At Midnight All The Agents)

Figure 832: The cover of Watchmen #1,
depicting the iconic badge.

In anticipation of the forthcoming new chapter of Last War in Albion, I thought I'd re-run the first seven chapters of Book Two, in part to make chapters 1-5 organized in single post omnibus form like latter chapters.

Previously in The Last War in Albion: In 1979, two men got their starts in the British comics industry. One, a young Scotsman named Grant Morrison, largely sunk without a trace, writing only a few short stories for a failed magazine called Near Myths, a local newspaper strip, and a couple of sci-fi adventurers for DC Thomson’s Starblazer, a magazine renowned for only ever giving the editorial note “more space combat.”

The other, a decade older man from Northampton named Alan Moore, steadily worked his way from some low rent gigs writing and drawing his own strips to a career in the mainstream British industry, pulling together a living writing disposable short stories for 2000 AD, superheroes for Marvel UK, and low-selling but critically acclaimed work like V for Vendetta for Dez Skinn’s Warrior, before making the jump to American comics to try to salvage the failing title ...

IDSG Ep51 - Conspiracy

This time, Daniel and Jack consider the 2001 film Conspiracy, a dramatisation of the infamous Wannsee Conference, a wartime meeting of Third Reich officials on the subject of the 'final solution to the Jewish question'.

Content Warnings.

Permalink / Direct Download


Wannsee Conference Wikipedia Entry:

Speaking the unspeakable: the portrayal of the Wannsee Conference in the film Conspiracy by Alex J. Kay:

Die Wannseekonferenz (1984):

English translation of the Protocol:

The Villa, The Lake, The Meeting by Mark Roseman:

Hitler, vol. 2: Nemesis by Ian Kershaw:

Hitler's American Model by James Q. Whitman:



IDSG Ep50 - Michelle Malkin


Jack returns to the podcast to chat with Daniel about Michelle Malkin, reactionary star since the War on Terror era, who recently started snuggling up to Nick Fuentes and the Groypers.  Plus a bit of chat about the old coronavirus and the recent protests, including the armed 'storming' of the capital statehouse in Michigan.

Permalink / Direct Download

Content warnings, as always.


Michigan Protests, "Operation Gridlock."

MLive, "Protesters angry with Gov. Whitmer’s stay-at-home order gridlock Michigan capitol."

"But people are still allowed to protest, and thousands took the opportunity to do so in Lansing Wednesday as part of an “Operation Gridlock" protest. Organized by the Michigan Conservative Coalition and supported by the Michigan Freedom Fund and other conservative groups, the idea was to create a traffic jam in front of the Michigan Capitol to create gridlock.

“This is a statement to show people’s frustration,” said Meshawn Maddock, a member of the Michigan Conservative Coalition, ahead of the protest."

Mother Jones, "A DeVos-Linked Group Promoted the Right-Wing “Operation Gridlock” Tantrum in Michigan"

"The whole charade was facilitated by the ...

It's Funny, Isn't It? (The Pirate Planet)

It’s September 30th, 1978. Between now and October 21st, three people will be murdered by Bruce John Preston in the Australian town of Mount Isa, numerous people will die in Cambodia following a Vietnamese invasion, and an unknown number of people die in the African National Congress following an attempt to poison 500 people to kill an unidentified infiltrator. Also, Frederick Valentich dies in an aviation accident shortly after encountering what he described as an unidentified flying object, Jacques Brel dies of cancer in France, the world comes closer still to the eschaton, and The Pirate Planet airs on BBC One.

In The Pirate Planet, Doctor Who presents one of the most confused central metaphors of its long and generally confused history. The concept is admittedly ingenious: Zanak, a hollow planet that materializes around other planets and then consumes them in their entirety. On top of that, as is gradually revealed over the course of four episodes, all of this exists to feed power to the elaborate machines keeping the tyrannical Queen Xanxia alive and with a facsimile of her youthful body. So on the one hand we have a brutal metaphor for capitalist/imperialist expansion and the ...

Changing Times

Just a quick announcement. Dalek Eruditorum has been proving frustrating to write—I think I was overly optimistic in thinking I could get to 39 posts out of the idea, and in practice around 13 or so it started becoming an exercise in pulling teeth. Posts were going out to Patrons on Fridays or later after having been written in short spurts of 3-400 words that took all day to even begin to figure out. It's been pretty miserable. And so I've decided that I'm going to accelerate a decision that I'd been planning on making when I finished Dalek Eruditorum: I'm refocusing on longer form writing. 

What this means in practice is that this site is not going to be a weekly maintained blog. I'll still put things up here—the first thing I'm doing is going back to Last War in Albion, and that'll still get posted here in chapter-sized chunks. And other sub-book stuff that I write will probably find a home over here. But I feel like the 2000 word blog post is not really working for me anymore, and like I need to get out of that format ...

We Change Things. We Make Things Happen (The Sun Makers)

It’s November 26th, 1977. Between now and December 17th, an airplane carrying the University of Evansville basketball team will crash, killing the entire team, another plane crash at Madeira Airport in Portugal kills a hundred and thirty-one, and sex worker Marilyn Moore is injured in an attack by the Yorkshire Ripper. Despite the relative paucity of major disasters, the world still creeps ever closer to the eschaton and The Sun Makers airs.

The usual observation about The Sun Makers is that Robert Holmes attempted to whine about his taxes and accidentally wrote a Marxist parable. Annoyingly, the usual observation is in this instance correct. The Sun Makers is, on a superficial level, about taxes—there’s a joke about a “P45 return corridor,” several cracks about needing a “wily accountant,” and the basic fact that all of the crippling payments the population of Pluto is forced to make are explicitly called taxes. And yet any attempt to interpret it as the whinging of a conservative writer grumpy that he should actually be expected to contribute to the greater society swiftly runs aground in the face of practically everything that isn’t one of these details.

The biggest problem is ...

The Information, The Strategy, The Consciousness (The Deadly Assassin)

It is impossible to talk about The Deadly Assassin without getting into the weeds of Doctor Who continuity, a sentence that is arguably the most depressing thing yet written in this project. Phil Sandifer manages to belch forth nearly 13,000 words of typically fanciful speculation (although at least this time he manages to avoid anything quite so masturbatorily pat as “the Doctor is from the Land of Fiction,” a critical conclusion so sickeningly self-congratulatory that it’s no wonder its author has disappeared off the face of the Internet and indeed the planet), but he’s hardly alone. Vast swaths of what Doctor Who gets up to when its worst instincts are indulged—waffle about the Eye of Harmony, Rassilon, Shabogans, and indeed Gallifreyan lore in general—all find their origin point here.

The degree to which this is a flimsy reed upon which to build a mythology is more than faintly staggering. It is not that, as (probably) Tat Wood suggests, this is a badly written mess. It’s just that what it actually is isn’t a self-conscious major epic that’s trying to set a huge swath of lore down but a daft bit of satire of British politics and the Kennedy ...

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