Hello everyone. This week it's audio time. Again.
Firstly, here's a commentary I recorded with our esteemed site editor on 'The Pandorica Opens'. Yes, we finally did it.
We had a lot of fun recording this, and I'm sure you'll enjoy listening to it.
If things go according to plan, our commentary on 'The Big Bang' will be dropping next week. In true Moffatian tradition, our resolution to our own cliffhanger will entail a narrative substitution.
Then I'll be back to my ruminations on Ron Paul, the Austrian School, Murray Rothbard, libertarianism, and the alt-Right. People who give me as little as a dollar a month on Patreon can get instant and exclusive advance access to the next five posts in this series. Also, I will be finishing my trilogy of posts about 'Last Jedi' at some point - promise. My Patreon sponsors will probably get advance access to that as well.
In other audio news, Wrong With Authority has produced two new podcast episodes I haven't yet told you about here.
There was this commentary that Kit, Daniel, and I recorded on original Ghostbusters (a real giggle, this one ...
It’s January 12th, 2014. Pharrell Williams is happily at number one, with Beyonce, Eminem, Ellie Goulding, and Pitbull also charting. In news, a cold snap in the US has all fifty states with at least somewhere below freezing, and a chemical leak in West Virginia leaves 300,000 without clean water. In the UK, the death of Mark Duggan, which kicked off riots in the summer of 2011, is ruled to have been lawful, while Keith Wallis pleads guilty for falsely claiming to have heard Andrew Mitchell call some police officers “plebs.”
On television, meanwhile, the shooting star that is Sherlock Series Three finishes its arc across the firmament with the Moffat script. His Last Vow is an odd thing. There are days on which I think it might be Moffat’s greatest ever script. But I mean “great” in its most complexly troubled sense. Moffat has been open about the fact that Series Seven of Doctor Who and The Day of the Doctor were miserable experiences. If the latter was him hauling himself back into fighting shape, then, this is the script with which he means to take back the mantle of being one of the most essential ...
In my opinion, any account of the rise of the alt-right, especially one which emphasizes the role of libertarianism, and thus the distal causal role of the Austrian School of economics, must begin with Ron Paul.
In his essay ‘On Social Sadism’, published in the journal Salvage, China Miéville recounts an occasion when
[a]t a debate between Republican candidates in September 2011, Wolf Blitzer, the chair, mooted the case of a hypothetical thirty-year-old uninsured man who becomes sick. ‘[C]ongressman,’ Blitzer asks Ron Paul, ‘are you saying that society should just let him die?’
‘Yeah!’ comes a shout from the audience. A smattering of applause. The shout is repeated, and again, and the applause grows.
Paul retired from politics in 2013, but his shadow is long on the libertarian Right. After the above exchange, Paul – a former medical doctor and a fervent libertarian, indeed a ‘paleolibertarian’, a follower of the syncresis of libertarianism and far-right conservatism invented by Murray Rothbard and Lew Rockwell – suggested that the hypothetical man in the question should have a private medical plan. "We've given up on this concept that we might assume responsibility for ...
THE WRATH OF THE LAMB: Reframing the title scheme for the back half of the season away from “Blake paintings” and towards “lines from Revelation,” and not entirely honestly. The title drop in the proceeding episode forces single vision, such that it can only refer to Will’s vengeance against Hannibal, although it’s not as though it would have been long on ambiguity without that.
I complained on Twitter a while back that there are no good instances of the deceptive edit, in which information is withheld from the audience purely by selectively editing around it so as to obscure it. The general problem with this is that it depends on selectively and covertly breaking the basic narrative codes of the medium, which state that editing is for communicating information, not for casual lying without any hints to this effect. Hannibal likely comes closer than most to being able to get away with it by the simple virtue of its editing never really suggesting a directly communicated reality in the first place. But the real reason it just about gets away with having an unseen cadaver in the room for this entire scene is just that the deception is mercifully ...
THE NUMBER OF THE BEAST IS 666: Last and in most ways least, it is to “The Great Red Dragon and the Beast from the Sea” what “The Great Red Dragon and the Woman Clothed with the Sun” is to “The Great Red Dragon and the Woman Clothed in Sun”—a drabber and less chilling counterpart. The dragon is in an awkward pose that serves to expose the limitations of Blake’s anatomy, his face flattened in profile in such a way as to lose all animalistic grandeur. It is the one of the paintings to arguably look better when Fuller and company recreate it in “And the Woman Clothed in Sun.” Its one interesting element is the lamb-like figure behind the Beast from the Sea, a point of contrast and dissonance that enlivens the whole.
BEDELIA DU MAURIER: It's hard to predict when brittle materials will break. Hannibal gave you three years to build a family and a life, confident he'd find a way to take them from you.
WILL GRAHAM: And he has.
The blunt fatalism of this admission surprises, and doesn’t really seem to follow from any of Will and Molly’s interactions last episode. Nor is ...
We continue to count down towards the TARDIS Eruditorum relaunch on March 19th with revised versions of some old blog posts on Sherlock. Proverbs of Hell will run its final two installments on Tuesday and Thursday this week.
It’s January 5th, 2014. Pitbull and Kesha are at number one with “Timber,” and while the rest of the charts are pretty similar to four days ago, we’ve got Avicii, Jason Derulo, Martin Garrix, and OneRepublic as artists we didn’t actually mention last week. News is about as sleepy as you’d expect for four days at the beginning of the year, although there’s some flooding in Wales, Scotland, and the west of England. On television, meanwhile, the third season of Sherlock continues its twelve day blitz with The Sign of Three.
Let’s talk about what Sherlock is. Although its main character is a detective, it is not quite a detective show, in that the solving of mysteries is not its main narrative engine. One suspects that had it been comprised of six hourlong episodes a season it would have been, as it would have had several filler episodes each run that would have ended up being case of the ...
Part 1 can be found here.
The religious world is but the reflex of the real world. And for a society based upon the production of commodities, in which the producers in general enter into social relations with one another by treating their products as commodities and values, whereby they reduce their individual private labour to the standard of homogeneous human labour – for such a society, Christianity with its cultus of abstract man, more especially in its bourgeois developments, Protestantism, Deism, &c., is the most fitting form of religion.
– Marx, Capital vol.1, Chapter 1, Section 4
It is an historical irony that, though they today seem to embody a view of life dear to the moralistic Right, the Puritans were the ‘Left’ in the great political debates of the era of the European transition from feudalism to capitalism. But, while ironic, this is hardly accidental. They were expressing the views and imperatives of the rising class of bourgeois, this class being both product and inheritor of what is now the capitalist system. This is, of course, the very market system the Austrians (and those like them, because they are by no means as distinct as they ...
With the re-release of her first two games on the Nintendo Switch, a third on the way and her creator already musing ideas for a fourth, Bayonetta is in the news again. And, as is typically the case with Bayonetta, she's drawn quite a crowd and her fair share of controversy and anger. But of course, you can't be a powerful, confident and self-assured woman and not.
Bayonetta is the modern day evolution of the archetype pioneered by Lara Croft and Rayne, and is the most honed, polished and refined version of that concept. She is an overwhelming, overclocked, unstoppable, inescapable feminine force of nature, and that confuses and frightens lesser people. The protagonist of an eponymous series of action games created by Hideki Kamiya and his studio Platinum Games (formerly Capcom Clover Studios), known for Resident Evil, Viewtiful Joe, Devil May Cry and Okami, Bayonetta is a witch who carves out her own niche in the war between Heaven and Hell by laying waste to legions of angels and demons as a one-woman mercenary army. She is pure magick, and, like all witches, she is liminal figure who stands outside of social norms and conventions. She makes ...