3 years, 11 months ago
"Don't get any ambitious ideas," says Castellan Spandrell to his prisoner.
"I just wanted to check it was the same staser," says the Doctor, examing the weapon used to assassinate the President of the High Council of Time Lords. "You see that symbol at the end of the corridor?"
The Doctor indicates a huge Seal of Rassilon.
"What about it?" asks Spandrell.
"You try and hit it," says the Doctor, handing Spandrell the staser.
"That's the kind of vandalism we're always running the Shabogans in for," grumbles Spandrell.
Spandrell is, basically, the Chief of Police in the Time Lord Capitol. As such, the Doctor is his prisoner, having been caught holding a rifle in a gallery near the spot where the President was gunned down.
We never see any Shabogans. The reference is never explained. It just seems to be part of a Gallifreyan policeman's job to arrest people called 'Shabogans' for vandalism. But let's not pass over this too quickly. There is regular crime here? There are hooligans running around the corridors of the Capitol of the Time Lords of Gallifrey?
Well, yes, of course.
The Time Lords are not just 'aliens'. They're explicitly potrayed as the ruling class. They have sycophantic TV presenters who interview them creepily (about process and personalities... just like Andrew Marr outside Number 10) when they congregate at elaborate government ceremonies. They wear traditional robes and ornate, arcane bling at these state events. They have the poshest of posh accents, like a great club of old Etonians and Oxbridge alumni... or like Oxbridge dons. They have Academies and Colleges in the Capitol, populated by fussy, blithering, crusty old farts who reminisce about how many of these ceremones they've attended over the centuries. They have Chancellors. They have Cardinals and Chapters too. One of them creates a nightmarescape for the Doctor which references Western colonialism (there is a khaki-wearing hunter who goes on safari and tracks the Doctor like big game) and the First World War. They have a 'Panopticon', named after the surveillance-heavy prison designed by Jeremy Bentham, one of the founders of Liberalism. They have a kind of police force, run by the Castellan, whose uniforms make them vaguely reminiscent of Swiss Guards. They also have a President. Their Presidents have names like kings or popes (Pandak III, for instance) and are chosen by a tiny electorate (just the other Time Lords, presumably) from a tiny pool of thoroughly respectable establishment types. They also have a shadowy government organisation, complete with secret agents, called the CIA (Celestial Intervention Agency - yuk yuk).
Police. Media commentators, edcuated at the same Academy as the other Time Lords, taught by the people they end up talking about on TV. Great White Hunters. Popes. Kings. Presidents. Colleges. Chapters. Cardinals. Chancellors. The Time Lords are a concentrated synthesis of various Western power structures. Oxbridge. The Vatican. Prisons. Liberalism. Conservatism. The House of Lords. The CIA. Washington.
So, of course
there are 'Shabogans'. There must
be 'Proles' so that the rulers have someone to rule, so that the dirty jobs get done, so that the Time Toilets get cleaned.
By the way... the origin of the word 'shabogan' is obscure to me. The nearest thing I can find is a reference in V. Gordon Childe to 'Shub-lugals', cadres of labourers who were not slaves but who were paid with subsistence rations by the kings of early urban Mesopotamia. Proto-proletarians from the dawn of civilisation. Gallifrey is elsewhere (but by the same writer) said to be "the oldest civilisation". Which is partly why I choose to believe that the Shabogans of Gallifrey are not the posh drop-outs we see in a later story, or drunken students, but rather an invisible group of workers who do everything for the Time Lords... but who sometimes get pissed off and riot, and then get arrested by Spandrell's Time Police. I'd hate to think there were no rowdy Time Proles to give the Time Lords a bloody nose from time to time. If the Time Lords are a trans-historical ruling class, an accretion of Western power principles - oligarchy, gerontocracy, white power (they're all white), patriarchy (they are all men), established religion, police, media, public school, Oxbridge, British government, US government - then I like the idea that their unseen drudges are related to one of the earliest forms of urban worker in the history of civilisation.
Spandrell takes his shot.
"Miles away," he says ruefully.
"The sights," says the Doctor, nodding at the weapon, "So you see, I couldn't have shot the President if I tried. And equally, I couldn't hit the assassin. That's why they were fixed."
"The assassin, according to you, being one of the High Council," observes Spandrell sceptically.
"Yes, he was in the party surrounding the President. I saw him draw a staser and step forward. I aimed a bolt at him, but at that time I didn't know the sights had been fixed."
"One of the High Council. It's getting better and better."
"Your story. But still a story. Where's the evidence, Doctor?"
"I'll tell you where the evidence is... in the Public Register camera. I was standing right beside it."
This is all so 70s it hurts. The era of paranoia about government conspiracies in pop-culture (well, one of the eras of that... there was another one in the 90s). This story is riffing on familiar motifs from the conspiratorial account of the Kennedy assassination. The supposed lone assassin is actually a patsy. He was a CIA agent. His supposed weapon couldn't have performed the feat attributed to it. The assassination was captured on film, and analysis of this recording will reveal the truth. The real assassin comes from the highest circle of power and is engaged in a cover-up.
It doesn't really matter if Robert Holmes, the writer of this story, believed that the CIA (the American CIA, that is) killed Kennedy. In the real world, there doesn't seem to be much reason to think so, though it's the kind of thing one gets from people like Holmes, who might be best described, at least as far as we can judge him from his work, as a 'romantic anti-establishment libertarian'. He's often called 'cynical', but he's cynical about power.
(Parenthetically... I don't find it implausible that governments conspire to kill people. On the contrary, that's almost a definition of government. Nor do I find it implausible that the US government would conspire to assassinate a world leader. We know, for instance, that Kennedy himself was deeply involved in several covert conspiracies to assassinate world leaders. That's pretty much business as usual for American presidents... except that Kennedy had to keep quiet about his 'kill list' whereas Obama boasts about his. I don't even find it all that implausible (in basic principle) that the US government might conspire to kill the US president... but he'd have to be a whole lot more threatening to them than Kennedy was (which was not at all). It's actually difficult to see how anyone potentially dangerous enough to need rubbing out could possibly make it through the immense number of filters and baffles which stand between the Oval Office and anyone who wants to get into it. The really interesting thing about the endless 'debate' about the Kennedy assassination is that it almost totally obscures - at least in mainstream culture - any discussion of what the man was actually like as a politcian. It obscures his reckless belligerence that helped bring on the Cuban Missile Crisis about a year before 'An Unearthly Child' aired, a confrontation that nearly destroyed the entire world. It obscures his vital role in kicking off the Vietnam war, an imperialist attack upon a practically defenceless country that ultimately claimed the lives of something like two million people. There's a case to be made that Kennedy helped conspire to bring about the assassination of an entire society. Compared to that, the question of who, if anyone, was on the Grassy Knoll somewhat recedes, at least as far as I'm concerned.)
Relatedly, it doesn't really matter who killed the President of the Time Lords. What matters is that Holmes puts that kind of paranoid unease - about arcane, decadent, self-involved, self-perpetuating structures that seethe with an undertow of secrecy and violence - into a fictional space synthesised from just about every signifier he could come up with for the established centres of Western power... and which he also signified as being a representation of ruling classes throughout history.
It's a sign of the times (those conspiratorial 70s) that the obsession is with occult government
structures rather than with business or capital.
Dunno why I said the Cuban Missile Crisis was "a few weeks" prior to 'An Unearthly Child'. I've amended that above.
Share on Facebook