Viewing posts tagged amy

You're a Beautiful Woman, Probably

I’ve been thinking about doing another essay on monstering in Doctor Who, especially with regards to Amy Pond, but it occurs to me that this would really benefit in hindsight of a full survey on the show’s conception of beauty.  Which is to say, I think the process of “monstering” is part and parcel of the modern show’s aesthetics, and what better way to explore those aesthetics than to come to some sort of understanding of the place where the Beautiful stands within it?  Well, there’s probably several other better ways, but when it comes to Amy Pond, I think “beauty” isn’t a bad place to start.  Not because Karen Gillan is classically beautiful, but because the character she plays actually articulates a philosophy of beauty that I find altogether more interesting:

WARRIOR AMY: All those boys chasing me, but it was only ever Rory. Why was that?
AMY: You know when sometimes you meet someone so beautiful, and then you actually talk to them, and five minutes later they're as dull as a brick? Then there's other people, and you meet them and think, “Not bad, they're okay.” And then you get to ...

Let's Kill Hitler Again

Hi all, sorry about the extended time away. Think of it as a winter hiatus, a polar opposite to, say, the summer hiatus preceding Let’s Kill Hitler. Anyways, I'm back!  And I've six thousand words to share.

I just happened to rewatch Series 6 recently with very good friends, so it’s on my mind, esepcially Let's Kill Hitler. It’s one of those episodes that, for me, gets better every time I watch it – it’s very amenable to esoteric exploration, and being so familiar with all its beats, I no longer notice the tonal whiplash and the jarring pace. “Plus, she’s a woman” still sticks out like a sore thumb, but still, that’s a relatively minor complaint compared to all the wonderful stuff going on in this story, and even more so in the context of its production.

For those unfamiliar with the production schedule for Series 6, many of the stories were shot or placed out of order. Black Spot, for example, was repositioned to the first half of the series, switching places with Night Terrors. Let’s Kill Hitler, on the other hand, started production after they’d already filmed ...

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