Myriad Universes: The Broken Moon
So I wasn’t originally going to do the 1992 annual. It’s good, but it doesn’t quite hold up to the likes of “Thin Ice” and “The Gift”, or even some of the most recent serials in the monthly series. But it turned out, quite frankly, that I needed an extra essay here and this was an easy pick.
But I’m going to do more than just kill time and fill space with this one, as there’s still a fair amount of interesting things to say about “The Broken Moon”. The first thing to note is that, like the two previous annuals, this story is predominantly about one specific character. This isn’t too surprising, as since “The Gift” was about Captain Picard (and Q) and “Thin Ice” was about Commander Riker (and Captain Lyrinda Halk), it’s to be expected “The Broken Moon” would follow suit and predominantly feature another main character. What’s interesting is who that character ended up being: Given his crippling overexposure in the TV series, we would naturally assume the next character to get a prominent spotlight in an extra-length Annual issue would be Data. But no, Data is actually barely in this story. In fact, it’s actually Geordi La Forge! Which is good, because there’s a good deal more for us to say about Geordi La Forge.
My reading of Geordi should be fairly obvious and clear by now. Because of LeVar Burton’s presence on both Star Trek: The Next Generation and Reading Rainbow, and the comparative similarities of his performances on both shows (not to mention the fact D.C. Fontana essentially conceived of Geordi as being “LeVar Burton as himself” anyway), I see Geordi as filling the narrative role of a children’s educator or children’s television personality on a series that can be succinctly described as “children’s television for adults”. This is why he’s the chief engineer; the heart and soul of a starship. The problem is that, for whatever reason, very few writers who have jobbed for Star Trek: The Next Generation seem to have picked up that this is straightforwardly and self-evidently the correct way to conceptualize who Geordi is, what he does on the Enterprise and what his relationship with the rest of the crew is (especially Data, who is plainly a child analog).
I am reminded most of all of Ira Steven Behr’s assessment of Geordi while talking about his episode “Qpid” and the infamous mandolin scene in Star Trek: The Next Generation 365:
…“Geordi was a very sweet character who was kind of underused. He didn’t have much of a dark side about him. He’s the kind of human that Klingons would have devoured. And Worf-you know, from a Klingon perspective-I was sure that Worf would lie in bed at night thinking, ‘Can’t they at least let me kill Geordi?’ So taking the mandolin and smashing it was the Klingon view of the Federation and the ‘perfect society’ the show portrayed.”