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Incremental progress meets Zeno’s Paradox

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Christine Kelley

Christine Kelley writes about speculative fiction, popular music, radical politics, and revolutionary Christianity. She debuted on Eruditorum Press with her now semi-retired project Dreams of Orgonon, a song-by-song study of Kate Bush. Currently her main project is Nowhere and Back Again, a psychogeography of J. R. R. Tolkien's Middle-earth. Expect queerness, radical compassion, wizardry, and the death of capitalism.Support Christine on Patreon.


  1. Sleepyscholar
    February 2, 2019 @ 2:07 am

    Fascinating as always (after three entries, I can say that, can’t I?). In particular I was amazed at the reference to Moving reaching number 1 in Japan (where I live). Absolutely impossible to imagine anything like that happening nowadays. I wonder if anyone here still remembers Kate? I suppose some people must — no one I have met, though.

    I appreciated the musicological elements as well. As a Radiohead fan, I like the sort of curve balls, or ‘pebbles’ as you dub them. In fact, when I first heard Deck’s Dark, off the last Radiohead album, my first thought was that the piano was a deliberate Kate Bush homage. I’ve not read anyone else expressing this idea, but I do know there’s a connection: Colin Greenwood has shown Kate around the band’s studios, and she has been to see them live.


    • Christine
      February 2, 2019 @ 7:51 pm

      Ha, thanks It’s been more than three entries if you look at my WordPress. 😛 There’ll be room in the blog for a Radiohead cameo somewhere.


      • Sleepyscholar
        February 4, 2019 @ 7:30 am

        Being a Doctor Who geek, I meant three on Eruditorum Press. I’ve now joined the dots and found Dreams of Orgonon on WordPress, though.


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