Sorry about the slow posting schedule of late - Jack's on a brief holiday while he finishes up the Austrian School essay for Neoreaction a Basilisk, and I'm really bad at remembering to queue these on Game of Peaks night. Normal service should resume soon, and your patience is appreciated.
MUKŌZUKE: Literally “set to the far side,” which refers to the dish’s placement on the tray, a small dish of seasonal sashimi. The key detail for our purposes is that the dish is sliced.
FREDDIE LOUNDS: Send someone else, Jack. She's one of yours.
Freddie is entirely sincere here, offering a genuine concern for Jack. This is not part of some larger heel turn on her part, a fact emphasized by her photographing Beverly’s body and, subsequently, Will in his face mask. Rather, it is out of a sense of genuine horror and, more broadly, a sense of clear morality - the same one that fuels her consistent loyalty to Abigail Hobbs, even after death. The grounds on which Freddie will take actual moral stands are few, but the resulting stands are a key part of her character.
As the saying goes, there’s always doubt until you see ...
\TAKIAWASE: A mixture of vegetables and a protein in which the ingredients are cooked separately; on the whole a fair description of an episode in which the characters are unusually segregated.
WILL GRAHAM: Your father taught you how to hunt. I'm going to teach you how to fish.
ABIGAIL HOBBS: Same thing, isn't it? One you lure, the other you stalk?
WILL GRAHAM: One you catch, the other you shoot.
Will makes a second attempt at the hunting/fishing conversation that went so unsatisfyingly in “Relevés.” This time, instead of becoming obsessed with accusing Abigail, he comes up with a suitably witty retort to her comparison. Although the difference between catching and shooting is likely academic to the fish.
WILL GRAHAM: Last thing before casting a line: name the bait on your hook after somebody you cherished.
ABIGAIL HOBBS: So you can say good-bye?
WILL GRAHAM: If the person you name it after cherished you, as the superstition goes, you'll catch the fish.
ABIGAIL HOBBS: What did you name it?
WILL GRAHAM: Abigail.
It’s an interesting and quietly revealing character beat that Will stakes his successful catching of Hannibal on the question of whether Abigail cherished ...
HASSUN: A sushi course with small side dishes that sets a seasonal theme. Janice Poon discusses it in terms of balancing opposites, which could be made related to the weighing of guilt and innocence involved in a trial with relatively little critical legerdemain.
A bewildering and suggestive opening image as Will is shown imagining his own execution from the perspective of the executioner. This is an entirely plausible thing for Will to do - indeed the idea that Will would actively try to empathize with his potential executioner is really interesting. But its substance is in practice merely “unsettling cold open,” the impact of the image left entirely for the viewer instead of the narrative. In one sense this is emblematic of the episode, which is very much the season’s “Œuf.” It’s actively identified by Fuller as the weak link, and sees the show attempting its spin on courtroom drama instead of police procedural, only to find that the move to the second half of Law and Order is a step further than the forced perspective brilliance of its iconography can sustain.
This smirk off the line where the prosecutor asserts that Will is the smartest person in ...
I cannot possibly review Seeming’s new album Sol. It’s fucking amazing. It’s astonishing to me that Madness and Extinction is an album it’s possible to double down on and outdo. But Alex did it, with a second album that’s frightening, ambitious, and unlike anything else that’s been done, ever, by anyone. I care about it like I care about Kill the Moon and Promethea. Go buy it. Honestly, buy it, listen to it a few times. You can stream and buy it here. All Bandcamp’s profits today are going to the Transgender Law Center, so it’s a great day to splash out some cash for it. Then come back here.
I’m one of the people Alex regularly sends demos to, and so Sol has been the single biggest soundtrack of my last three years. Alex is one of my closest friends, but I’m also an unabashed and unreserved fan of his stuff, and I tended to play each new demo to death and beyond before just as eagerly devouring the next, listening in rapt wonder as song after song mutated from idea (sometimes even an obviously good one) through to demos that sketched its potential and finally to finished mixes ...
Today's video over at my channel is the first in a new series featuring full playthroughs of a number of different video games, all centred around the same set of themes and motifs. These will probably be split up into 15-30 minute episodes of pure gameplay footage. First up, the original BloodRayne from 2002, which was available on the Nintendo GameCube, PlayStation 2, XBOX and PC. I'm playing the PC version, modded for controller support and widescreen HD resolutions. Now I know this perhaps doesn't seem like the kind of game I typically like to talk about and some of you might have questions about that, but all I can say right now is to please trust me-I'm going somewhere with this :-)
Edited text from the video description:
The new Seeming album, Sol, is out Friday. So I sat down with Alex Reed to talk about it and play clips from a bunch of songs, including three that are getting their world premieres. It's a fantastic conversation in proper Eruditorum Press fashion, which is to say that it jumps freely from the Situationists to the X-Files in order to talk about things with no obvious relationship to either one of those. We also talk about important things like "what is a self-banishment ritual" and "so Alex, you recorded a gothic funk album, tell me about that." Seriously, this is a great conversation. You can listen to it here.
Sol, meanwhile, is out on Friday and available for pre-order here. I'll be back on Friday (where I'll be replacing Jack this week) for more talk about it. It's amazing - literally every song on it is brilliant. I cannot wait for you all to be able to hear it and to finally talk about the ways it's been influencing me for three years now.