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L.I. Underhill is a media critic and historian specializing in pop culture, with a focus on science fiction (especially Star Trek) and video games. Their projects include a critical history of Star Trek told through the narrative of a war in time, a “heretical” history of The Legend of Zelda series and a literary postmodern reading of Jim Davis' Garfield.


  1. AfroWarrior27
    October 15, 2014 @ 5:56 pm

    What a horrible review. The fact that you tried to call Carson a Mary Sue is outright stupid. But the fact that you claim the Movie soundtrack is lacking is a load of bull. The score is compose of beautiful and very energetic scores that fit with the artistic imagery of the film making it a work of art.

    And it's far more memorable than anything Nolandia had to offer. Are you seriously trying to tell me Love Everlasting is more better than Pas De Deux, Over the Top, Through the Danger, and Sapphire Eyes? Yeah, I think you're showing some extreme biased.

    It's funny how you don't like this movie but like Nolandia, yet the overall fans opinion are inverse. I think you need to do a better rewrite.

    This review was full of nothing but biased, I seriously can't believe you claim Love Everlasting to be better than Project Eden's soundtrack. -__-


    • Matthew Brown
      October 27, 2020 @ 7:07 am

      lol popular opinion means nothing and this film is a vacuous pit of misogyny. i had to shut my laptop when the dude started groping kei and yuri in the bath scene because it was so cringey. nolandia actually has the ambition to explore ideas and character dynamics beyond pandering hetero romance and scary alien=bad. i think this review was very good (and i agree that the score for nolandia was better)!


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