House of the Rising Sun

February 16, 2016

Lost Exegesis (House of the Rising Sun) — Part 2

Jane Campbell charlie, continuity, exegesis, eyes, House of the Rising Sun, locke, lost, mirrors, Sun, time travel 5

Part 1 of the essay can be found here. Unlike that part, this one will have spoilers of future episodes.

Watership Down

I have to admit, I was wrong. In the White Rabbit entry I claimed that Watership Down was in four straight episodes. It is not. But have no fear, it will appear again. Nonetheless, we might consider that the book has been “invoked” by virtue of the rabbit on the bus outside the airport terminal where Sun decides to stay with Jin. As such, we will continue to explore this rather delightful tale.

In terms of plot, Part 2 of Watership Down doesn’t have much to do with House of the Rising Sun, but there are a couple of interesting resonances. For example, the rabbits, led by Hazel, form a new warren which they dig out underneath the roots of a massive tree. They call their new home The Honeycombe. So we have a convergence of bee symbolism, the World Tree, and “caves,” just like this episode.

The rabbits make friends with a large bird, Kehaar, who speaks with a thick accent and performs reconnaissance for them. They use this to their advantage when they realize they have no females amongst them (they are all “bucks”) and decide to go raiding other locations to find “does” – to basically steal females from other warrens. Well, one warren is run under martial law, while the other is just a girl’s rabbit hutch on a farm. Two “away teams” split off (hmm). One returns empty-handed, lucky to be alive, thanks to the timely intervention of a train (which is actually kind of how the Island’s “monster” sounds). The other leads to the wounding of their leader, Hazel, who nearly dies before he’s rescued by his brother. After this encounter, he decides he’s going to lead his rabbits to raid the militarized “other” warren and steal their “mothers,” effectively splitting his own “hive” as not everyone agrees with him.

There’s a couple of interesting broader-scale themes that emerge in this part of the book that are relevant to LOST. First, the question is raised on what it’s like to live “naturally,” with the farm-hutch rabbits and the militarized “other” warren used for contrast. And this of course applies to how the Losties are organizing themselves in a “state of nature,” as it were,. What kind of political system are they setting up? Leadership by the most dynamic individuals, for the most part, just like Watership Down’s rabbits, but with everyone pretty much free to do as they please. It’s a question and answer that’s actually brought up by the historical John Locke, so this fits nicely into the larger pattern of philosophical thoughtfulness that LOST has already staked out.

Secondly, there’s the matter of rabbit mythology. After Hazel’s near-death experience, his brother Fiver (the mystic) ruminates on the possibility of “another world”:

“Hrairoo,” said Hazel one evening, “what would we have done without you? We’d none of us be here, would we?”

…

February 10, 2016

Lost Exegesis (House of the Rising Sun) — Part 1

Jane Campbell apocrypha, charlie, exegesis, eyes, House of the Rising Sun, Jin, kate, locke, lost, Michael, Mirror-Twin, mirrors, Sun, World Tree 1

It’s been a while since we had one of these LOST Exegesis posts! So sorry for the delay. It couldn’t be helped. And not just the nearly two months since the last one of these — I had trouble accessing Eruditorum Press last night. Anwyays, enough excuses. It’s been a while. As such, please remember that Part 1 of the essay is spoiler-free. For those who’ve seen the entire series, the second part of the essay, titled “Through the Looking Glass” (and appearing next week in the second part of this massive post), applies foreknowledge to the episode at hand.

So, on to the episode at hand. House of the Rising Sun is complex. Not to say that it’s difficult to understand; on the contrary, it’s rather straightforward, at first glance. It’s here we discover that whatever preconceptions we had about Sun and Jin, they were a bit wrong – these characters are not crass stereotypes – she’s the spoiled rich girl, he’s the poor nice boy corrupted by her father, who would have guessed that? It may have been Walkabout when I fell in love with the show, but it’s House of the Rising Sun that first earned my respect.

As we’d correctly surmise from the Opening Eye of the episode, this episode is Sun-centric. But there’s a lot more this episode’s plate. While Sun’s Flashbacks and her husband’s current predicament on the Island form the primary threads of the episode, there’s also the trip to the Caves, which also ends up split in two, with Jack and Kate’s early friendship tested by differing philosophies regarding the camp’s next big decision, while Locke takes an interest in Charlie. There’s even a thread breaded in that’s devoted to Michael. So there’s a balance of five stories, and even more characters to juggle, all in forty-five minutes on a network budget. On top of that, we get another piece of mythology with the skeletons found at the Caves, some new takes on previously invoked symbols, continued thematic concerns, and several more cultural references to untangle.

It’s three episodes in a row now where we’ve started with an Opening Eye. This time it’s Sun’s. And this time it’s a Left Eye, as opposed to the Right Eyes of Jack and Locke. So from the outset, we’d anticipate an episode that’s Sun-centric, and we’d be correct; at the same time, however, the switch from right to left should harken something different, symbolically, than what we’ve seen before, given the dichotomy. And this is definitely an episode about dichotomy.

Previously we’ve identified the Opening Eye with some kind of enlightenment, and I’m happy to continue doing so. But let’s also consider that the Eye itself is often used as a way of describing certain celestial bodies. In Egyptian mythology, for example, the Right Eye represents the Sun, and the Left Eye represents the Moon. The sun shines during the day, making everything visible; the Moon shines at night, and still leaves much in darkness. And then there’s the matter of these two bodies being gendered – the Sun is typically male, the Moon typically female (though not always, obviously).…