Viewing posts tagged capaldi
|With Alpha Centauri only appearing on a screen, the "looking like a giant penis" needs of this episode had to be filled elsewhere.|
It’s June 10th, 2017. Despacito? Despacito. Ariana Grande makes it up to number two, while Niall Horan, French Montana, and Ed Sheeran also chart, with the latter having his last week in the top ten following the great Sheeraning. In news, Montenegro joins NATO, a Saudi Arabian-led blockade of Qatar begins, and James Comey testifies before the Senate Intelligence Committee. But the big news is the general election, which ends with a hung parliament after unexpectedly large gains for Jeremy Corbyn’s Labour Party, resulting in Theresa May forming a confidence and supply agreement with the Northern Irish Democratic Unionist Party that gives her an incredibly narrow majority that would require near unanimous support from within her own party for any major legislation such as, say, a Brexit agreement.
Speaking of Brexit, on television we have Empress of Mars. This is a story that, by all rights, should be easy to dislike. It’s Gatiss doing pure and unadulterated fanwank, without any of the wider concerns that allowed things like The Stolen Earth/Journey’s End or Hell ...
|This is not actually a screenshot of the episode, but a candid photograph of Peter Capaldi shortly after recieving the script.|
It’s June 3rd, 2017. “Despacito” isn’t going anywhere, but Captain Ska and Jonas Blue are newly in the top ten, while Ed Sheeran, DJ Khaled, and Clean Bandit continue their runs. In news, the US government announces its intention to withdraw from the Paris Climate Agreement, and Arsenal eats Chelsea to win the FA Cup. While on the day this episode airs, Reality Winner is arrested for leaking information about Russian interference in the 2016 Presidential election to journalists, and a few hours after it airs, a terrorist attack on London Bridge kills eight people.
On television, meanwhile, we have The Lie of the Land. This is a story that fits smoothly into an important tradition of Doctor Who stories, along with things like The Celestial Toymaker, The Dominators, The Monster of Peladon, Warriors of the Deep, Planet of the Dead, or Nightmare in Silver. Which is to say, fundamentally lazy fuckups at the tail end of otherwise good eras. There are a number of ways to get to this sort of story—Nightmare in Silver, in particular ...
|More likely than not, aliens invented airplanes.|
It’s May 27th, 2017. Luis Fonsi, Daddy Yankee, and Justin Bieber remain at number one with “Despacito,” while Liam Payne, Charlie Puth, Harry Styles, and DJ Khaled also chart. Narrowly missing the top ten is Ariana Grande’s “One Last Time,” which re-enters the charts more than two years after its last appearance. This provides us a grim transition to the news, where a terrorist attack at the Manchester Arena kills twenty-two people during one of her concerts. Ringling Bros. and Barnum & Bailey stage their final circus show, while on the day of this story six out of seven leaders at the G7 summit reaffirm their commitment to the Paris climate accord. No points for guessing who the odd man out is.
Meanwhile, on television, we have The Pyramid at the End of the World. The Pyramid at the End of the Worldmay or may not have the messiest gestation of any Moffat era story. Certainly it has the messiest one to play out in public. Announcement of Harness’s involvement was left extremely late, and when it came he was laden with the season’s only cowriting credit. The story of ...
|Don't worry, Doctor, I'm sure the Chibnall era will be fine|
It’s May 20th, 2017. Luis Fonsi, Daddy Yankee, and Justin Bieber remain at number one with “Despacito.” J Hus, Ed Sheeran, Shawn Mendes, Clean Bandit, and French Montana also chart, the latter presumably introducing enough consumer confusion to explain Miley Cyrus being stuck at #11. In news, Chelsea Manning is released from prison. It emerges just how bad Trump’s firing of James Comey was, resulting in the appointment of former FBI director Robert Mueller as a special counsel to investigate Russia’s interference in the election. Trump makes his first foreign visit as President, to Saudi Arabia, leading to that low key amazing supervillain photo of Trump, the king of Saudi Arabia, and Egyptian President Abdel Fattah el-Sisi all touching that glowing white globe.
On television, meanwhile, Extremis. Let’s set aside, for a moment, the monks arc as a whole; there’s time enough to talk about what could have been, what was, and how that happened. Contrary to the greatest moment of Jack’s podcasting career, Extremis is too interesting for that. That said, the monk arc hangs over it in that there is no way to ...
|I heard they had a space program; when they sing you can't hear there's no air|
It’s May 13th, 2017. Luis Fonsi is at number one with the Despacito remix. DJ Khaled, Ed Sheeran, French Montana, and Shawn Mendes also chart. In news, the WannaCry ransomware attack goes off, affecting hundreds of thousands of computers in a hundred and fifty countries, with major effects on the NHS. And Donald Trump fires FBI director James Comey on the pretext of an objection to his handling of the investigation of Hillary Clinton’s e-mails, but in reality, as Trump admits the next day in a meeting with Russian officials in which he also shares classified intelligence obtained from Israel, in an attempt to derail investigations into his campaign’s involvement in Russian attempts to influence his election.
On television, meanwhile, Oxygen. It is traditional, especially towards the end of an era, for me to take a good story that I enjoy and write an entry that is generally quite down on it. Even when writing the review of Oxygen, it was obvious that this would be the Capaldi story I did it to. The point of that exercise, after all, is ...
|Is this some kind of joke?|
It’s May 6th, 2017. DJ Khaled is at number one with “I’m the One,” backed by Justin Bieber, Quavo, Chance the Rapper, and Lil Wayne. Ed Sheeran, Drake, and Shawn Mendes also chart, as do Luis Fonsi and Daddy Yankee, who see their Spanish-language “Despacito” jump from 22nd to 4th on the back of another Justin Bieber guest appearance. In news, it is announced that Prince Philip will be stepping down from his public engagements in the fall, and local elections see the Tories make heavy gains. Impressively, nothing really happens in the US. Don’t worry. We’ll make up for it next week.
On television, meanwhile, we have Knock Knock. If Thin Ice represents the optimistic long-term future of Doctor Who—the bit of 2017 that most resembles what one might hope for from 2027, then Knock Knock is the bit of 2017 that most accurately prefigures 2018. And the fact that this entry spent the better part of a week consisting of that previous sentence and nothing more speaks volumes as to what that’s going to be like for me. Knock Knock is a true oddity within the Moffat era in that it ...
|The Doctor and Bill frantically try to warn Chibnall off his staffing decisions.|
It’s April 29th, 2017. Clean Bandit and Zara Larsson are at number one with “Symphony.” Ed Sheeran, Harry Styles, Kendrick Lamar, Shawn Mendes, and Jason Derulo (backed with Nicki Minaj and Ty) also chart. In news, things are fairly sleepy. Work begins in New Orleans to dismantle some Confederate memorials. Anthony Joshua becomes WBA heavyweight champion. It’s a slow week. We don’t get those very often anymore.
On television, meanwhile, Thin Ice As we’ve discussed, one of the major features of the Capaldi era, especially compared to the Smith era, is Moffat’s development of a stable of writers who can fill out a large portion of every season with solid, compelling results. The core of this are Jamie Mathieson, Peter Harness, and Sarah Dollard, who among them contribute at least three of the non-Moffat scripts in each of Capaldi’s seasons, and thus ensuring a minimum of seven episodes every season that were good or better. Add in Gatiss’s late career bloom and the reason the Capaldi era is such a golden age becomes clear even before you start thinking about Moffat’s own late style renaissance.
|🤣😠🥵 don't 🤬 🛠 that way|
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📅 April 22nd, 2017. 🎵🔝 Ed Sheeran’s “🔺 of You,” while ⤵️ in the charts are Julia Michaels, Kendrick Lamar, Clean Bandit, and Harry Styles. 🗞 Theresa May calls a snap 🗳 to try to secure a clear parliamentary majority for Brexit, which is going to go a bit 😬 for her, but that’s another entry. Mike Pence visits 🇰🇷 and goes to the border with 🇰🇵 and glare at it in a 🤔 attempt at ⚛️🚀 disarmament. And Bill O’Reilly is fired from 🦊 News due to his persistent tendency to engage in 🍆 assault.
📺, 😁. Frank Cottrel Boyce’s previous effort, In the 🌳🌳 of the 🌃 (or 🐅 for short), was a curiously mixed affair, combining 😍 ambition with deeply 🥴 execution. With 😁, however, he dials both back, going for a classic 🛸 setup instead of the quasi-🧙🏻♂️ approach of 🐅 and then playing it more or less straight. 😁 has essentially 2️⃣ purposes: giving 👩🏾🦱 her ...